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    Podcast 13 min read

    How to Beat the Competition Without Lowering Your Prices w/ Chris Do

    with Chris Do

    Chris Do explains how convenience, faster results, and greater certainty give clients reasons to pay more.

    Chris Do

    Chris Do

    Founder, The Futur™ · January 24, 2026

    The cheapest bid has no finish line

    A lower price can win the job and weaken the business at the same time. Chris Do, a podcast guest who describes closing client engagements worth a couple hundred thousand dollars, approaches that contradiction from experience on the selling side. His concern is not simply whether a client says yes, but what the business sacrifices to get there.

    The opening problem is familiar to design and marketing firms: clients appear unable to distinguish one provider from another. The work feels interchangeable. The seller concludes that the only meaningful difference left is the number at the bottom of the proposal.

    That conclusion has consequences. A competitor loses an engagement to a cheaper bid and responds by cutting its own price. The original seller cuts again, defending an advantage that disappears as soon as someone else matches it.

    A lower price is an advantage competitors can copy.

    Do pushes the scenario toward its absurd endpoint: a business effectively paying the client for the privilege of doing the work. Cash reserves cover the damage until they cannot. Credit extends the runway, not the logic of the strategy.

    The exaggeration makes the underlying problem visible. Winning an engagement and sustaining a company are different tests. A pricing decision can pass the first while failing the second, particularly when every concession becomes the starting point for the next negotiation.

    This is the territory suggested by The Futur's related episode, 99% Of Creatives Lose Money With These Pricing Mistakes. Here, the specific mistake is treating competitive pressure as an instruction to become cheaper before examining whether the offer gives clients a reason to choose it.

    Do does not begin by defending the intrinsic worth of creative labor. Nor does he suggest that buyers should simply appreciate the effort involved. Those arguments leave the central difficulty untouched: the client still cannot see a meaningful difference.

    The distinction matters. A seller can care deeply about the work and remain difficult to distinguish in a purchasing decision. Pride in execution is not the same as a clearly understood reason to pay more.

    There are three movements in the price-cutting cycle Do describes:

    • A seller lowers the price to win business that feels interchangeable.
    • A competitor responds by lowering its own price.
    • Both keep surrendering revenue without changing the basis of comparison.

    Nothing in that sequence makes either offer more useful. Nothing removes a difficulty for the client. The contest stays fixed on the same deliverable, with progressively less money available to deliver it.

    The alternative therefore requires more than confidence at the negotiating table. It requires a different answer to what the client is actually buying.

    That is where Do changes the frame. Instead of treating commoditization as a permanent verdict on the market, he treats it as a challenge to the seller's imagination. The question is no longer how far the price can fall. It is what has been left out of the offer.

    The lettuce is not the whole product

    Do grounds that challenge in Ronald Baker's Implementing Value Pricing, a book he recommends for anyone serious about pricing. He recounts its provocation that apparent commodities still leave room for differentiation. His chosen illustration is deliberately ordinary: lettuce at the supermarket.

    A whole head of lettuce presents a straightforward comparison. If two heads look equally fresh and otherwise equivalent, the buyer has little visible reason to favor the more expensive one. The seller's difficulty resembles the creative firm's complaint: the alternatives look the same.

    Then the product changes without abandoning its basic ingredient.

    The leaves are separated, washed, and packaged. The customer no longer has to perform the same preparation before eating them. In Do's telling, that shift turns a basic purchase into a more convenient one, and convenience supports a higher price.

    Convenience is work the buyer no longer has to do.

    The important transformation is not the bag. It is the redistribution of effort. Work that once belonged to the customer now belongs to the seller, and the offer becomes more valuable because the customer has less left to finish.

    Do makes the example personal without making it elaborate. Both he and his wife buy prepared bags because the leaves can go straight into a bowl. The benefit is immediate and concrete: fewer tasks between opening the refrigerator and eating.

    That observation complicates the idea that buyers always choose the cheapest version. A customer can recognize the lower-priced ingredient and still prefer the more expensive preparation. The choice is not necessarily confusion about price. It can be clarity about the work the cheaper option leaves behind.

    The same lettuce then becomes a salad kit. Add croutons, cheese, and dressing, and the offer moves closer to the meal the customer wanted in the first place. The seller is no longer stopping at the ingredient simply because that was the original product.

    • A whole head leaves the preparation with the buyer.
    • Prepared leaves remove washing and separating.
    • A salad kit brings together more of what the buyer needs to eat.

    These are not three unrelated inventions. They are different stopping points along the path to the same desired result. Each asks how much responsibility the seller will take before handing the product over.

    For a design or marketing firm, the analogy is not an instruction to add miscellaneous extras. More pieces do not automatically make an offer more valuable. The relevant distinction is whether those pieces remove work that stands between the client and the intended result.

    That is also why packaging cannot be reduced to presentation. The related episode You Don't Need a Personal Brand. You Need an Offer. provides a useful companion title to this distinction: the offer itself deserves examination, not just the identity placed around it.

    Do's supermarket example holds the seller to a demanding standard. A higher price needs something the buyer can recognize as useful. The prepared lettuce does not ask for a premium because its producer feels underappreciated. It removes a task.

    A different purchase inside the same object

    Preparation is only one way Do expands the apparent limits of a commodity. He also imagines a salad carrying Wolfgang Puck's name and dressing. Presented as an illustration rather than a documented product launch, the scenario adds a recognizable identity to something already made convenient.

    The point is that the buyer's comparison can change again. The transaction no longer concerns only a quantity of lettuce or the labor of washing it. The named association becomes part of the offer being considered.

    That does not establish that any label justifies any premium. It demonstrates the larger direction of Do's argument: an object can acquire additional reasons for purchase without ceasing to be the same basic object.

    His next example strips the problem down further. Money appears to be an especially stubborn commodity because its face value is explicit. Asking someone to pay more than a dollar for an ordinary dollar sounds like a losing proposition.

    Yet the exercise becomes more interesting when the transaction stops being an exchange of equivalent purchasing power. A signature changes what the buyer is considering. The value being discussed is no longer limited to what the note can buy.

    The purchase can change while the underlying object stays familiar.

    Do then recounts a stock-gifting example from his reading. A grandparent wants to give a grandchild a share as a birthday or holiday present. Rather than focusing only on access to the investment, the offer includes a printed certificate and a frame.

    The transcript does not identify the company, so the example is best understood as Do's account of the business model, not as a verified description of a particular seller. Its relevance is the contrast between buying an investment and buying something ready to present as a gift.

    In that account, the share retains its market value. The premium belongs to the surrounding purchase: the certificate, the frame, and the ability to hand over a tangible present. The buyer is paying for something the market quotation alone does not supply.

    The example reveals a limitation in comparisons based only on the central asset. A stock quotation answers one question. It does not answer what it takes to turn that asset into the kind of gift a grandparent wants to give.

    Do's illustrations therefore describe different kinds of additional value:

    • Prepared lettuce reduces the buyer's effort.
    • A complete salad moves closer to the desired meal.
    • A named association changes how the offering is presented.
    • A framed certificate makes an investment ready to give.

    The lesson is not that buyers can be persuaded to ignore underlying value. It is that underlying value is sometimes only one part of the purchase.

    That distinction is important for professional services. When a provider insists that the deliverable is identical to a competitor's, the comparison has already been narrowed. Do's examples invite scrutiny of everything surrounding that deliverable: the effort required, the distance from completion, and the reason the buyer wants it.

    Imagination, in this argument, is not decorative originality. It is the ability to see a purchase more fully than the simplest description allows.

    The expensive part is often the waiting

    The supermarket story becomes more useful when Do names the variable beneath it: the time between buying something and receiving the satisfaction it promises. A whole head of lettuce and a prepared salad occupy different positions on that timeline.

    The cheaper option leaves a sequence of actions unfinished. Separate the leaves. Wash them. Dry them. Assemble the meal. The prepared version eliminates or compresses those actions, bringing the customer closer to the reason for buying the food.

    Do describes the objective as reducing the time from purchase to eating. The language is plain because the benefit is plain. A customer who wants lunch does not necessarily want a preparation project.

    Time delay affects what an offer is worth to its buyer.

    Do connects this reasoning to Alex Hormozi's $100M Offers, another book he recommends. The transcript's central application is not a complicated pricing formula. It is the relationship between the result someone wants and the wait required to experience it.

    Shortening that wait changes the offer. It gives the customer a reason to prefer one route over another even when both routes lead toward a similar destination. The distinction becomes the experience of getting there, not merely the description of what arrives.

    This is a more exacting idea than simply promising to work faster. Speed matters in Do's explanation because it moves the buyer toward satisfaction. A shorter internal production schedule is relevant only insofar as it shortens that path.

    The lettuce makes this distinction easy to see. A seller can hand over a whole head immediately, but the meal is still unfinished. Delivery of the ingredient is not the same event as completion of the customer's task.

    For professional services, that gap deserves attention. A firm can consider its work delivered while the client still faces the effort of making it useful. Do's analogy directs attention to that remaining distance rather than treating handoff as the natural end of the value discussion.

    The adjacent concern is client experience, reflected in The Futur's Crafting a Great Client Experience. In this conversation, the specific contribution is narrower: examine how long the buyer must wait, and how much must still happen, before the promised benefit becomes available.

    There is also a pricing implication for the seller's own understanding of effort. Prepared lettuce contains additional labor, but Do explains the premium through what that labor removes for the customer. The value is not exhausted by the fact that someone worked harder.

    That separates a cost explanation from a purchase explanation.

    A cost explanation describes what the provider had to do. A purchase explanation describes why the customer prefers the result. Do's argument asks creative businesses to become more fluent in the second without pretending the first disappears.

    His instruction is explicit: reduce the time to satisfaction and completion. That leaves the seller with a concrete area to examine before reaching for a discount. If the price seems difficult to defend, the unfinished work between purchase and benefit deserves inspection.

    Certainty earns its place beside speed

    A fast promise still leaves a buyer with another concern: whether the result will happen. Do identifies certainty of outcome as the second variable alongside time delay. The two are related, but they are not interchangeable.

    A client can understand the offer and want the result while remaining unsure about committing. The obstacle is no longer necessarily the stated price or the length of the schedule. It is the risk of paying and discovering that the expected benefit does not follow.

    Certainty of outcome influences willingness to buy.

    This is why Do brings guarantees into the discussion. A money-back guarantee addresses a different part of the purchasing decision than a discount. The discount lowers the amount paid; the guarantee addresses what happens if the purchase fails to deliver as promised.

    The distinction keeps the argument from collapsing into another version of cheapness. A seller does not have to make the offer less expensive to make the buyer feel less exposed. The terms of the promise can change the decision without changing the headline price.

    But Do immediately qualifies the tactic. The guarantee has to be structured so that it does not destroy the business offering it. Reducing the buyer's uncertainty by accepting an unmanageable obligation is not a durable pricing strategy.

    That warning belongs beside the promise, not in the fine print of the lesson.

    The transcript does not specify refund conditions, acceptance criteria, or a standard guarantee template. It would be a mistake to turn this discussion into a universal contract clause. What it supplies is the strategic purpose of a guarantee and a clear limit on its use.

    In Do's account, the guarantee appears late in the sale. He describes clients considering engagements worth a couple hundred thousand dollars and remaining on the fence after substantial efforts to persuade them. Only then does he add the guarantee.

    He reports doing this twice, with both engagements closing. That is an account of two decisions, not evidence of a guaranteed closing rate. Its practical significance lies in timing: the promise addressed residual hesitation after the rest of the offer had already been established.

    Do makes the distinction explicit: “not to get the job, but to secure it.”

    The surrounding sales question is relevant to The Skill You Need To Win Clients That No One Talks About. Here, the observable issue is a buyer who has received the explanation and still cannot cross the final distance to commitment.

    The guarantee is not doing all the selling. It arrives after the seller has made the case and after the client has seriously considered it. Its role is to resolve the remaining obstacle, not substitute for an offer that has never become compelling.

    That sequencing gives the tactic its discipline. An early guarantee can become the main attraction; Do describes a late guarantee as a final reassurance. The same promise has a different role depending on when it enters the conversation.

    His shortest instruction carries the necessary restraint: “Use it wisely.”

    Change what the client is comparing

    The practical resolution is not a universal premium, a clever line in a proposal, or a claim that every buyer will pay more. It is a closer examination of the offer before price becomes the only variable left to change.

    Do's examples move from a familiar complaint to a more demanding responsibility. If clients cannot distinguish one firm from another, repeating that the work is valuable does not resolve the comparison. The seller has to make the difference legible through what the buyer receives or no longer has to do.

    Change the offer before surrendering the price.

    That principle does not mean adding everything possible. The salad example works because the additions are connected to eating. The stock-gifting example works because the presentation is connected to giving. The extra elements serve the purchase rather than merely increasing the contents of the package.

    The final application can stay close to the variables Do actually names. There is no need to manufacture a new framework or attach elaborate terminology to it. The offer can be examined through a small set of direct comparisons.

    • Reduce the time to satisfaction and completion. Identify the preparation or waiting that separates purchase from the desired result.
    • Increase the certainty of the outcome happening. Address the buyer's remaining doubt about whether the promised result will follow.
    • Consider a guarantee only with clear attention to the seller's exposure. Do reserves it for the final hesitation, not the opening pitch.

    The first comparison changes the customer's workload. The second changes the customer's confidence. The third concerns how far the seller is prepared to stand behind the promise without placing the business in danger.

    None depends on persuading the buyer that a higher price is inherently more virtuous. Each gives the price something concrete to rest on. The customer can understand what becomes easier, what happens sooner, or what protection accompanies the decision.

    This is also where the imagination challenge becomes practical rather than accusatory. A firm that feels commoditized does not need to invent an entirely new category to begin examining its offer. Do's lettuce remains lettuce throughout the illustration. The change is in how completely it serves the buyer's purpose.

    The seller's task is therefore not to deny the existence of comparable alternatives. It is to identify where the current comparison is incomplete. Two providers can name the same deliverable while leaving the client with different amounts of work, waiting, or doubt.

    Those differences need to be real. A new description cannot wash the lettuce. A promise of speed cannot shorten a process on its own. A guarantee cannot responsibly carry an obligation the seller has no capacity to meet.

    Do's argument is strongest when the business changes before the language does. The offer becomes easier to choose because something consequential has changed in the purchase, not because the proposal has acquired more confident adjectives.

    Before the next discount, the unresolved work belongs on the table: the task still left to the client, the delay still separating payment from satisfaction, the uncertainty still blocking commitment.

    Make the purchase more valuable, not merely less expensive.

    Many of us feel like we're in a market space where people don't value what we do, and it feels like we're commoditized. And a lot of you have been taught or have taught yourself some crazy rule in the universe where if the market gets tricky, the way you win clients is to do what? So when we lower our price, what does the other person think if they lose the business to you? They lower their price. And what do you do? Lower your price. And then before you know it, you pay the client to do the work. How long can you run a company when you pay the client to do the work? However much cash you have at the bank. And when that's done, your credit card, and then you're done, done. And I'm reading this book, Implementing Value Pricing. It's written by Ronald Baker. Highly recommend you read this book if you want to be a master at pricing. And he says in the book, there's no such thing as a commodity. You just lack imagination. You lack imagination. And he gives a couple examples that will blow your mind. So in the example, he talks about like a head of lettuce or cabbage or something, which you buy at the supermarket. You go in there and basically one head of lettuce is the same as another head of lettuce if it's organic, if it's fresh. You don't buy one that's necessarily more expensive if you can't see the difference, right? And so you might be thinking, I can't differentiate what I do from a competitor. I'm like the head of lettuce. They just buy the cheapest one because they can't see one design firm versus the next, one marketing firm versus the next. And he says, so let's apply a little imagination here. So I don't know if you've noticed, but people have started to sell hand -leap, pre -wash, triple -rinse bags of lettuce. How much is that? So one head of lettuce, that's the cheapest version of it. But applying a little creativity and labor, you make it more convenient. My wife buys the bags. I buy the bags because I just grab it, throw it in a bowl and I can eat it. And this is going to hint at an idea in a little bit. So that bag of lettuce goes for more money than the head. And if you take the head and you split it up to two or three things, you can sell three bags for four times as much money. And then what they do is somebody's like, you know, why do people even want lettuce in the first place? Why do people buy lettuce? Make a salad. You want a salad. So like, why don't we throw in some croutons, a little cheese on it and have a package of dressing? And now instead of charging you 79 cents for a head of lettuce, we're going to charge you $12. And then I, well, why would people buy this one? Well, let's go license Wolfgang Puck and call it Puck Express and put that sticker on it and say, you know, it's Wolfgang's dressing. And let's sell that for $14. It doesn't end. It can just go into infinity if you want. Because in Japan, you ever go to a supermarket, they have like $150 cantaloupe. I don't know what that cantaloupe tastes like, but it better be good. So I understand that these are like lovingly cared by Japanese farmers. I don't know what they're doing. They're talking to it at night. They're like telling bedtime stories. I don't know, but it is $150 cantaloupe. I don't get it. So there is no limit to what you can charge. It's just you have to say and you have to come to terms. I lack the imagination to describe this. And let's take it further. He says, can anything be more a commodity than money? Like who here would buy $1 for me for $1 .10? Even 101. Would you even buy $1 for me for 101? No, because the face value is $1. He goes, you lack imagination. Huh? I could sign it. You're right. So now you're using a little creativity, right? Okay. Now, he's like a stock certificate or a stock, you know, you buy, it has a price. It goes up and down. He says, there's a company that charges you more for a stock than you could buy in the market. And who would do that? So here's what they figured out. They found that there are grandparents who want to give their grandchildren something for their birthday, a mitzvah, for Christmas, whatever it is. And they want to be able to print the certificate of the stock and frame it. And they sell the stock for more than what it's worth. Now, the company only buys blue chip stock, like Disney, like Apple, whatever. So the stock might be $99 at that day, but they're going to sell it to you for between $150 to $250, depending on the quality of the frame. Isn't that amazing? A total commodity that has no real value, other than the value of what it represents in the market. By using a little bit of imagination, they can charge a lot more. Now, this is the part that's going to hurt your soul a little bit. Ask yourself, do you lack imagination? Okay. Now, why would people pay more for something than they need to? Why? Well, there's an answer. It's because if it's immediate, like we pay more for things if we can get the results immediately. I bought a salad. I got a hand leaf. I got to wash it. I got to spin it dry. That takes time. So time to purchase to my mouth, make it faster. I'll pay you more. Now, Alex Ramosi, who wrote the book, $100 Million Offer, also another book you probably need to pick up. I will be teaching lots of concepts from this. And if you like the concepts that I'm sharing with you today, I highly encourage you to support the authors. I'm not trying to take money from people. Please buy the books and support them. So as often as I can, I will mention who they are and we'll repeat it. Okay. Alex Ramosi talks about this. So there is pain that we feel and we want to get the solution as fast as possible. So if you look at like meditation, it's going to take time to practice, to learn. It's a whole thing. And you want to clear your mind, right? Or you can take, is it Prozac? And you can get that instantly. So if you're a meditation teacher, you run meditation workshops, maybe that entire industry is worth $100 million, where Prozac is a multi -billion dollar industry because the time to result is short and it's guaranteed. So there's two variables, and I'll talk about this more later, is time delay, which will influence price, and certainty of outcome. If I meditate, I get distracted, I'm not sure, does this work? I don't believe in it. takes a really long time to master. Another, somebody can do it in a second, somebody will take three hours to do it, but the Prozac will put you in that happy state really fast. It's guaranteed. So when you think about your product, your service, or whatever it is that you're doing, try to reduce the time to satisfaction and completion and try to increase the certainty of the outcome happening. Now, if you put yourself in everyday life, every time somebody gives you a money -back guarantee, you're more likely to buy because the certainty of the outcome is there. But if you're going to do a guarantee, there has to be a way for you to do it so you don't get killed. But think about that. And every time I've had a client who's going to spend a couple hundred thousand dollars with us, sit on the fence like, oh, I'm not sure, Chris. And we've done everything we can to convince them. The last thing I do is I throw in the guarantee. And every time I've done that, I've done it twice, they close. So use it wisely. Use it for the right moment, not to get the job, but to secure it. And there's a difference.
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    “Use it wisely.”

    — Chris Do

    Topic
    PRICING

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