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    Podcast 13 min read

    You’re Not Underpaid, You’re Afraid w/ Nidhi Tewari

    with Nidhi Tewari

    Chris Do and Nidhi Tewari examine how fear shapes sales and how connection can coexist with firm fees.

    Chris Do

    Chris Do

    Founder, The Futur™ · October 21, 2026

    The negotiation starts before the meeting

    A creative can believe in the work and still retreat from the price. The contradiction is central to therapist Nidhi Tewari's conversation with Chris Do: technical confidence does not automatically become commercial confidence. Tewari, who introduces herself as an LCSW and describes working with therapy clients and leaders, brings a perspective on the emotional habits that enter a sales meeting before the proposal does.

    The portfolio can be strong while the person presenting it remains uneasy about asking for money. Tewari locates part of that unease in messages absorbed long before there was a business to run: creative work is impractical, financial success belongs to a tiny minority, a safer profession would be wiser.

    Those messages do not need to remain consciously persuasive to influence behavior. In her account, they follow creatives into negotiations, client relationships, and the way they describe their services. A price becomes more than a commercial proposition when stating it feels like challenging an inherited rule.

    One audience member, Reyna, remembers recognizing her ambition around age 11 without seeing a clear professional destination for it. She wanted to create things that inspired people and work with others. The environment around her emphasized family and more familiar careers for women rather than the design career she would eventually pursue.

    The significant detail is not a single prohibition. It is the absence of a convincing alternative.

    Do notices that distinction. A child does not need an explicit instruction to abandon ambition to receive the message that ambition has limits. The people visible in a school or community can establish the apparent boundaries of a future before anyone names them.

    Tewari offers a more explicit version from her own family. The acceptable professions were doctor, lawyer, or engineer. After spending years on a pre-med path, she chose therapy, a decision her parents questioned both financially and through their attitudes toward mental health.

    Success then carried two assignments: establishing a career and proving that choosing it had been legitimate. Tewari describes having to convince herself as well as her parents. The old messaging continued even after she had made the decision to leave their preferred path.

    Her sister's experience complicates the idea that compliance would have settled the matter. A psychiatrist and medical doctor, she also faced parental skepticism because her work involved mental health. Following the approved category did not remove the objection.

    The point is not that every hesitant seller has the same family story. It is that a professional decision can carry an older argument inside it. That tension also sits behind The Futur's Living in the Dogma of your Parents, a related conversation about inherited expectations.

    For a creative negotiating today, the useful distinction is between evaluating an opportunity and defending the right to have chosen this career at all. Those are different tasks. Combining them gives an ordinary client decision more emotional authority than it deserves.

    A prospect is considering a service. The seller can experience something much larger: a referendum on whether the doubters were right.

    When a refusal becomes a verdict

    Tewari identifies fear of rejection as the second major obstacle. She does not reserve it for creatives. A refusal hurts because people care about belonging and significance, and a failed deal can become entangled with both.

    Her starting point is the distance between expectation and outcome. A seller enters a meeting expecting to win the work, then leaves without it. Disappointment occupies that gap, and repeated disappointment can make smaller ambitions look like sensible protection.

    The retreat has a logic. Fewer attempts mean fewer opportunities to hear no. But the same strategy also reduces exposure to the larger opportunities the seller claims to want.

    Tewari does not promise that experience makes rejection painless. She says it still hurts when an opportunity she wants does not materialize. Her argument is narrower and more useful: discomfort does not establish that pursuing the opportunity was a mistake.

    Her own account turns on a teenage request to go out with friends. At about 15, she asked her father for permission to attend an evening outing. His response attached shame to the desire to be out late, making the exchange feel like a judgment of her character rather than a decision about a curfew.

    Do initially challenges that interpretation. Denying permission, he suggests, is not necessarily rejecting a person. Tewari draws the distinction precisely: a limit on behavior differs from the suggestion that wanting something makes someone bad.

    The distinction matters because the practical answer can be identical while the emotional message is not. One refusal establishes a boundary. The other teaches someone to question their worth for having asked.

    “Shame cuts really deeply,” Tewari says.

    In her explanation, rejection becomes more damaging when it generates a conclusion about identity: not important, not good enough, not someone who matters. The event ends, but the interpretation remains available for the next negotiation.

    Do pushes toward a harder question about agency. He describes responding to adversity with defiance rather than accepting a diminishing account of himself. Why, he wants to know, do people interpret difficult experiences so differently?

    Tewari's answer emphasizes self-awareness and avoidance. Experiencing something painful is not the same as examining its continuing influence. The person who moves away from discomfort also moves away from information about the pattern.

    That is not a diagnosis of every nervous seller. It is the distinction driving her advice: notice the response rather than automatically organizing business decisions around escaping it.

    Do supplies an example from a former employee who initially resisted the idea of therapy and later described it as the best thing he had done. In Do's telling, the man seemed happier and began acting on ambitions they had previously discussed. The relevant outcome is behavioral, not a claim that every stalled career has a clinical explanation.

    The commercial implication is demanding without requiring emotional invulnerability. A seller can feel the sting of rejection and still investigate what happened. Avoidance closes that inquiry before the client has supplied useful information.

    The task is not to become someone who never feels rejected. It is to stop treating that feeling as the final interpretation of the deal.

    A relationship is not a discount

    The conversation becomes most productive when Do and Tewari disagree about what connection means in business. Tewari argues that successful selling begins with viewing the client relationally rather than as a transaction. Do hears a familiar danger: creatives already use relationships to justify giving away their margins.

    A referral becomes a reason to reduce the fee. A friendly conversation becomes evidence that charging the full amount would be unfriendly. An admired brand becomes an invitation to seek acceptance instead of negotiate terms.

    Do's objection is not to understanding clients. It is to confusing professional interest with the desire to become their friend. He wants business to establish its own terms before friendship enters the picture.

    Tewari rejects the implied trade-off. A bond does not require a lower price. Her argument for a relational approach concerns attention to the client's needs, not intimacy or automatic accommodation.

    The distinction separates several arrangements that creatives often collapse together:

    • A professional relationship built around understanding the client's problem and providing an appropriate service.
    • A friendship that exists independently of whether a paid engagement moves forward.
    • A deliberately reduced fee that belongs to the business model rather than an improvised concession.

    Tewari allows for the third arrangement. A business can decide in advance to serve a limited number of clients at a reduced rate. The problem arises when every personal connection becomes an exception and the exception effectively replaces the pricing policy.

    Do remains wary of the language, but their positions converge around professional responsibility. The seller should care whether the work actually helps. The seller should also retain the ability to state a fee without apologizing for having a business.

    This distinction gives the service-oriented language in How To Price YOUR Work an important boundary. Serving a client and surrendering commercial terms are not the same action. Attention can increase while the fee remains unchanged.

    Tewari describes the opposite failure as a pitch that arrives fully formed, regardless of what the client says. The seller has a product, presents it, and waits for acceptance. There is no meaningful discovery and little evidence that the offer corresponds to the actual need.

    Do challenges that example, too. A concise offer with firm conditions can also communicate confidence and selectivity. Not every seller who refuses extensive customization is avoiding a relationship.

    That objection sharpens the distinction. A clear filter is not the same thing as an uninformed assumption. A professional can know exactly which clients fit while still being curious enough to establish whether this particular client belongs in that group.

    For Tewari, the lack of curiosity is the decisive issue. Confidence creates room to explore. Insecurity can create pressure to finish the pitch before the conversation goes somewhere unpredictable.

    The alternative is neither endless customization nor rigid presentation. It is understanding the problem well enough to know whether the existing offer fits it, whether an adjustment is appropriate, or whether the engagement should not happen.

    Professional connection earns its place by improving that judgment. It does not earn the client an automatic discount.

    The polished answer can miss the problem

    Tewari gives a consulting example that exposes the cost of premature certainty. A prospective client asks for help because employees are burned out. The consultant enters the sales conversation prepared to address burnout, but the details begin pointing elsewhere.

    Employees do not feel safe speaking up. Workloads are high. Resources are inadequate for the demands being placed on the team.

    A seller committed to the original framing can still produce a plausible proposal. Well-being workshops appear responsive because they match the initial request. Yet in Tewari's example, they address the visible symptom while leaving the conditions producing it untouched.

    The failure is not a lack of solutions. It is an unwillingness to revise the diagnosis.

    Tewari calls these missed opportunities connection gaps. A client supplies information that should change the conversation, and the seller continues as though nothing important happened. The gap is between what was said and what the professional allowed themselves to hear.

    The commercial stakes are immediate. A proposal can be elegantly presented and still reveal that the seller has misunderstood the assignment. The client is not only assessing capability; they are assessing whether that capability will be applied to the right problem.

    Tewari identifies three patterns that interfere with that assessment:

    • Fixers move rapidly from hearing a problem to prescribing a solution. Their confidence in an answer outruns their understanding of the situation.
    • Avoiders bypass the emotional content of what the client shares. The conversation advances without acknowledging the pain point.
    • Connectors redirect the discussion toward their own comparable experiences. The attempt to relate can displace the person who needs to be understood.

    The third label requires care. Tewari is not criticizing connection itself. She is describing a conversational habit in which the seller answers another person's experience with a story about themselves.

    A past client engagement can demonstrate relevance. It can also interrupt discovery. The difference is whether the example helps clarify the present client's needs or merely reassures the seller that their expertise has been displayed.

    Do recognizes the same mistake in expressions of empathy. A person shares something difficult, and the listener responds with their own account of loss or pain. The intention can be generous while the effect is to move attention away from the original speaker.

    “Don't make it about you,” Do says.

    That warning connects naturally to Are You Actually Empathetic? The relevant issue is not whether the listener has a similar experience. It is whether sharing it serves the person currently speaking.

    Tewari's preferred alternative is the explorer: a listener who does not treat the first answer as the complete answer. Instead of rushing to prove competence, the explorer creates room for more precise information.

    The shift is subtle but consequential. The seller stops treating discovery as the interval before delivering value and begins treating accurate understanding as part of the value itself.

    In the burnout example, that means staying with the facts that complicate the original request. A harder conversation about workload and safety becomes more useful than an easy agreement to deliver the wrong intervention.

    Curiosity needs a steady operator

    The explorer's language is deliberately simple. Tewari offers “Help me to better understand” as one prompt. Its value is not verbal sophistication but permission for the other person to say more before the seller decides what the information means.

    Exploration also requires two responses that are easy to skip: normalization and validation. Tewari describes normalization as helping someone feel less alone in their experience. Validation acknowledges why frustration, embarrassment, or disappointment makes sense in the situation being described.

    Neither requires shifting into autobiography. The listener can recognize an emotion without introducing a competing story. Nor does recognition require immediately offering a fix.

    That distinction is especially useful for professionals trained to believe their worth rests on having answers. A thoughtful follow-up is not a failure to contribute. It can prevent the seller from committing their expertise to an incomplete understanding of the problem.

    Tewari organizes the broader practice of attunement into four domains, using the acronym FRSC:

    • Flexibility means responding to the person's needs as the conversation develops. A necessary pivot does not require permanently abandoning the agenda.
    • Reading cues means noticing changes in tone, cadence, posture, and demeanor. Tewari cautions that eye contact can differ for neurodivergent people.
    • Self-regulation means managing the seller's own emotional and physiological response. The other person's uncertainty does not need to dictate the seller's behavior.
    • Collaboration means establishing a shared effort toward mutually agreed outcomes. Both parties can contribute feedback rather than treating the discussion as a contest.

    The framework makes connection observable. It is not simply warmth, charisma, or a vague sense of getting along. It involves adjusting attention, noticing changes, maintaining composure, and keeping the purpose of the conversation shared.

    Do offers a physical analogy: walking beside someone. Without coordination, each person can cross into the other's path or wonder who is leading. A small indication of direction allows both people to turn without turning the movement into a struggle.

    In a conversation, Tewari points to pacing, tone, posture, and proximity. These can signal whether someone is joining the other person, changing direction, or taking a more directive role. The subject receives further attention in The Skill You Need To Win Clients That No One Talks About.

    Matching has a limit, however. When a client arrives highly stressed, Tewari advises against matching that intensity. A professional who adopts the same urgency can amplify the atmosphere rather than help steady it.

    She describes the alternative through co-regulation: remaining composed while the other person is distressed. The seller takes a steadier role rather than treating emotional alignment as an obligation to reproduce every emotion.

    For personal regulation, she offers a specific breathing exercise: inhale through the nose for four seconds, hold for seven, and exhale through the mouth for eight. It is presented as a way to ground attention when feeling overwhelmed, not as a substitute for understanding the client.

    The practical demand is to remain available to the conversation. A seller occupied with managing their own alarm has less attention left for the detail that should change the proposal.

    Hold the fee and open the conversation

    The hardest application arrives when a friendly exchange must become a commercial one. The seller has established rapport. Now the fee, expectations, or an uncomfortable limit needs to be stated.

    Tewari recommends acknowledging the shift rather than disguising it. A person can signal that the conversation is moving into a business role, state the terms, and leave room for the other party to decline. The existing personal relationship does not need to depend on a purchase.

    This is particularly important when boundaries have already blurred. Avoiding the conversation preserves the appearance of ease while leaving the actual arrangement undefined. The discomfort does not disappear; it remains waiting inside the work.

    Her approach separates three elements that are often allowed to interfere with each other:

    • Acknowledge the friendly relationship without presenting it as a pricing policy.
    • State the fee and expectations clearly enough for the other person to make a decision.
    • Allow the engagement to be declined without making the friendship contingent on agreement.

    Do notices that Tewari changes her tone when demonstrating different professional roles. Her therapist voice sounds firmer to him than her transition from friendship into business. She explains the tonal shift as a cue: the relationship is being acknowledged while the conversation changes direction.

    The essential point is not to perform a particular voice. It is to make the transition legible. Hard conversations can remain connected when both people understand what is being discussed and which role is now relevant.

    Then comes the moment after the price. The response is not an enthusiastic yes. Something changes in the client's expression or demeanor, and the seller must decide what that change means.

    Tewari does not recommend immediately lowering the fee. She first acknowledges the apparent uncertainty, then asks a question she credits to Do: “What would make this a no brainer for you?”

    The question opens a different conversation from defending the price. It invites the client to identify what is missing from the decision. In Tewari's experience, some clients say nothing needs changing; others identify an addition that would make the offer more compelling.

    Neither response was available while the seller was silently interpreting the hesitation. An observed reaction is useful information, but it is not yet a complete explanation.

    This is where the earlier ideas become a commercial practice. Flexibility leaves room for clarification. Reading cues notices the change. Self-regulation prevents an anxious concession. Collaboration makes the next question about reaching a workable decision rather than winning a confrontation.

    The seller still has choices. An addition can be discussed without being automatically accepted. A client can decline without becoming an enemy. A fee can remain firm without the conversation becoming cold.

    The immediate challenge is not to eliminate every uncomfortable feeling before naming a price. It is to resist converting that feeling into a discount, a defensive monologue, or a premature conclusion about what the client thinks.

    State the terms. Notice the response. Ask the next useful question.

    A client's hesitation is not an instruction to abandon the fee.

    - Why do so many talented creatives, they struggle to close deals or to charge what they're worth, and even though they believe that their work is genuinely good or even great, they wouldn't say that, but it's genuinely good. What's the big challenge here? - I'm Nidhi Tiwari, LCSW, and you're listening to The Future. The biggest challenge is our limiting beliefs and our past experiences because those form the lenses through which we navigate the world today. So I find a lot of creatives heard messaging earlier in their lives of like, you're never going to make money doing this. Are you sure that this is the right pathway for you to take? Only the top 1% of creatives can make it. And that same messaging then follows you into your negotiations, into your client relationships, into how you sell yourself. I also find that a lot of creatives are very afraid of rejection and perhaps that's even beyond creatives. I think that's a human experience where we don't put ourselves out there and we don't necessarily push for the highest rate because we have been rejected in the past and it is a painful experience. Okay, so we have a live audience here in studio with us and can we hear from you? What is your name again? Reyna. Reyna. There's this concept that belief systems, something you inherited from someone who meant something to you, said, "What you're going to do is not going to work out." And you said, "Yeah, that resonates with me." First, where and when and how did you hear this? I think this is speaking as a woman in the context where I was raised. I think that there were a lot of social things around me when I was like probably around 11 is the earliest memory, where the indications were what you want to do may not be totally what you can do. And there was a lot of emphasis on, quite frankly, having a family. So this idea of something that would even be a part of my career wasn't really on my radar because of the social environment I was in as a girl growing up. Is it like something you can pinpoint as to a person or? I'd say school. School. I didn't see a lot of people like me who are interested in design, who are interested in the kind of career I was interested in. And so it was sort of like, well, do you just want to be a teacher? Or do you want to do something that where like other women had careers? So it felt like it was school and other adults that were women. At 11 in school, you already kind of knew that you wanted to have a career. At 11, I knew I was ambitious. Like I was really interested in doing things where I would work with other people, where I could create something that would inspire them. I didn't know what, but I always felt a little like, oh, maybe that's not possible for you. - So here's what I'm hearing from you. The environment that you were in, mostly around school at around 11 years old, there weren't clear models, role models, or people who were as ambitious as you saw for yourself. So that wasn't clear whether they explicitly told you no or yes, the message was received. And you're saying this may impact more women than men, perhaps? Okay, so I'm going to throw it back to the doctor and doctor. Yeah, we are socialized. I think this is an experience that a lot of women go through is we're socialized to believe that we only have certain career paths that are appropriate. So I can share in my family growing up, the only three career paths that were acceptable were doctor, lawyer, or engineer, which is very typical of the immigrant experience. And so when I decided to go and become a therapist, my parents were baffled. They were like completely befuddled by this decision because they were like, wait a minute, people that go to therapy are crazy. Why would you want to work with crazy people? Which is not the appropriate thing to think or say, but that's, I'm just sharing what their mentality is. And that, is that going to be a money-making career? Like, why would you switch off from pre-med? Which I did do for many years. And so when I made that decision, decision, I had to really prove myself. And I felt like it was proving doubly to myself that I was capable because that old messaging replayed frequently and also then proving to my parents that, hey, I can be successful in this and I will show you. And I did. My sister is a psychiatrist and she got flack too. So she is a medical doctor. She's a psychiatrist, but because it's mental health, it got labeled as, is that really a doctor? And once again, same question, why would you want to work with crazy people? So even her in her situation, she followed the correct path, her outlined by my parents, but still got a lot of pushback from them. Okay. So that's number one, this belief system. Yeah. Maybe we'll park on this and move to the second reason, the fear of rejection, which is, I think, universal. Yes. What is it about someone saying no to you that hurts so much that you avoid hearing no? There's a couple of pieces here. I think one of them is that the gap between expectations and reality is disappointment. So when we go into, for example, a client meeting and we expect to close the deal and we don't win the deal, there's disappointment. And that feels like like a rejection because it is a rejection. It hits on one of our primal fears of belonging and feeling like we matter. And so when we face rejection in that way, it then primes us to not be bold and take other opportunities that may present themselves. We tend to play it small to keep ourselves safe. So disappointment lives between expectation and reality? Yes. That is also Robert McKee's definition of what makes a good story, a subjective expectation versus objective reality. But that's what we try to create in stories. So if it's good for creating stories, How come it's so bad for us as a self-story? Because in a story, we have some distance, right? So you think about like, there's no story, no conflict, right? That's, I forgot who said that. No conflict, no story. No conflict, no story. Barbara McKee. Yes, yes, exactly. No conflict, no story. It makes for a great story. after the fact. But when you're going through it, it is like the dark night of the soul. It's painful to feel rejected, especially when you face rejection repeatedly. Will get inevitably rejected the more you put yourself out there for bigger and better opportunities. The more you stretch yourself out of your comfort zone, the more opportunity there is to be rejected because you are entering the arena where other people choose not to go. But in those initial times where I experienced rejection, it was gut wrenchingly painful. And I would be lying if I said that it doesn't hurt still when you don't get something that you desire to get. Where is the earliest memory of rejection that hurt the most for you? For me, the past present connection for rejection was actually, you know, I love my parents. We have a very different relationship now, but I felt rejected by my parents a a lot. I was the black sheep of my family. I was even from a young age before career, before any of that, I was the one who always pushed boundaries. I was the one that wanted to have a boyfriend. I wanted to be able to have a social life. My parents both are very traditional Indian. And they did not appreciate that. So my earliest rejections come from feeling like I don't belong even within my own family. For example, I remember coming home and wanting to be able to go out with friends. And I remember my dad so vividly saying to me, this was going to be like an evening outing. So we were going to be out till like nine or 10. How old are you? This is maybe like 15. So teenage years. And I came home and I was like, Dad, I really want to go out for this party. We're going to the movies. Core group of friends. They know them all. And he said, no, a girl with shame would never go out past 8 p.m., basically saying you should be ashamed of yourself for wanting to be out with boys past 8 p.m. And he made it seem as though my morality was even questioned, whether I was even a good person for asking for that and that's just one of many many examples that i can think of where it was like ooh like that's a very shame ridden experience that sounds more like asking for permission and being rejected for not getting permission to do something, but not rejection of you as a person. I think it's different when somebody says to you, no, you can't do this thing versus no. And if you do this thing, you are a bad person. Okay. That's what he essentially was saying to me, that you are a shameful person for even asking this question, for even thinking about going out with these. So you turn a permission thing to a attack on character. Correct. Shame cuts really deeply. And I think rejection and shame are close cousins. Because when you feel rejected by somebody, the interpretation, the belief that develops as a result of that is that I don't matter. or I'm not important, or I'm not good enough. Those are the kinds of beliefs that come as a result of that type of rejection. And then those beliefs then create the experience, the emotional experience of shame. And then we know shame is like, from Brene Brown's work, is like a powerful driver. It like shuts us down. It puts us into like more of a freeze, shutdown state than anything. Okay, so this brings me to something I heard pastor Erwin McManus say, he was telling this really impassionate story about Buster Douglas beating Mike Tyson and then losing the championship. He said that some of us are wired with an operating system designed for failure. Some of us are wired with an operating system designed for success. And every time I hear something where someone experiences something I've experienced before, but their interpretation is a story about devaluing them, lowering their confidence, self-worth, feeling guilt and shame, falling into the victim trap. I just say to them now, "I believe you have an operating system designed for failure." And they usually just accept it. And I'm like, "I would have accepted that. If I said that to me, I'm like, 'F you. Let me tell you what I'm made of.'" So I'm curious, based on your observations and research, Help me understand this because if you can crack this open, we've helped a lot of humans. Why do people do this? Why don't I think this way? Well, I mean, would you characterize yourself as somebody who is self-aware? Yes. Okay. Would you characterize yourself as somebody who's traumatized, like has gone through significant trauma in your past? Yes, but I'm not traumatized by it. But that is different than being traumatized and not necessarily having processed through in whatever form that takes the past trauma, right? I was just like... I think I've experienced what a person would call traumatic, but in processes trauma. And I'm okay with that. Yeah. So I don't live in that place. Okay. There are some key differences though, right? The people that get stuck in it tend to be the avoidant one. So they're not necessarily the most self-aware. They're the ones that tend to move away from discomfort. So the self-examination piece just isn't there. And in order to overcome something, do you not need to see it fully? Do you not need to understand it fully? A hundred percent. I'm in agreement. Yeah. So, so there is your key. That's the answer to your question. I love it. That's the key differentiator is I want people to be able to lean into the discomfort instead of leaning away. Because the more that you're able to approach that, the discomfort to move away from avoidance, the more fulfilled your life will be, the more in tune with yourself and others, the more you'll magnetize the things that you desire, because you're not going to be living in a traumatized place any longer. right? But it's when people avoid, it's when people tend to lean away instead of leaning in, that those same cycles perpetuate. And that's where we see people get stuck and feel trapped. And that's not to say that they can't get there, but they have to make a conscious choice to be like, I'm not running away from the hard stuff and I'm going to lean into it and I'm going to face it. I think we're getting to some place here. Yeah. If you're not self-aware, you're stuck Step one. Correct. Okay. Number two, and it's connected to number three, I believe, is avoidant. So I feel uncomfortable, discomfort. Therefore, I'm just going to pretend like it didn't happen. I don't want to look at it at all. So I think all three are really deeply connected to each other. It's like a chain reaction. I'm not used to feeling uncomfortable. It gives me the ick. therefore I'm not gonna look into it. And I have friends that are watching probably right now, and I'm not talking about you, I'm just talking about people just like you, is they want to gloss over anything that's horrible. Quite literally, there was a gentleman who used to work for me, And I asked him, what's your earliest memory? Thinking it's a pretty innocent question. He goes, I don't remember anything before 14. I'm like, oh my God. Oh my God. Are you serious? He goes, dude, I'm telling you right now, I'm not playing a game with you. I don't remember anything before 14. And I said, did you have a very traumatic childhood? He goes, no. I'm like, I'm no therapist, but I believe you have some things you want to talk to a therapist about. And he goes, "No, there's nothing here, Chris." That sounds like avoidant. And thankfully, there's a happy ending to this story because a couple years later, after he stopped working for me, he went to see a therapist. And then he later told me it was the best thing he's ever done. And he seemed like a new person. He was doing all the things that we talked about that he wanted to do but never did. And now he was doing them. And I'm just really happy for him. He seemed like a much happier person. And now he has memories. Even if you avoid the thing, it still lives in you. So like not only just up here, but in your body, it lives. And every time that a situation triggers you, that same physiological response will take hold and you will respond in a similar way or react in a similar way as you did subconsciously back then during that same situation. It's just the way that our memory networks connect to one another. And so, you know, those neurons, we can rewire them. That's the whole idea of neuroplasticity. But you cannot do that if you don't face the stuff head on. And your friend who had no memories for 14 years probably lived his life very dissociated, meaning very disconnected from his emotional experience. And a lot of people go through that. I see that all the time in the workplace, actually, too, where it's like people, you know, don't have any emotional memories. They can't connect emotionally to people because they never had that opportunity or they avoided the opportunity growing up or didn't have a nurturing upbringing. And it really gets in the way for them. Same thing with creatives. You have to connect to be able to sell. All right. Let's connect this to sales. How do we use this idea of attunement, understanding the energies and reading and relating, connecting and vibing with each other in a commerce transactional space? Because you're like, well, I would think naturally if we're out of alignment or attunement, the likelihood of a deal happening is going to get lowered. Yes. You're not listening to me. You don't understand me. We come from different cultures and belief systems. I'm not going to have a good time working with you. Correct. versus the people who understand this, like, why do they get all the new business? Let's get into this. Yeah, I think that the people that end up being successful in business are the ones that view their clients in a relational manner. They don't view it as closing a deal. They don't view it as a transaction. They view it as a relationship, as a service to the other person, to better them, their company, to give them something that will enhance their life. whether that's professionally or personally. And I think that when you can approach your sales conversations from a relational standpoint, it makes a huge, huge difference. Now, where I see connection gaps, so I talk about these connection gaps in my book. These are missed opportunities for building relationships with people. Moments where somebody asks you or shares something and you miss it. So for example, a client may say, like they may hit you up and say, hey, I really need help with consulting because my staff is burnt out and I really want them to feel less burnt out. Great. Okay. So you come into the sales conversation with burnout in your mind, right? But then as you're talking with them, they start talking about how people don't feel safe sharing and how the workload is really high and all of these factors. And if you miss that, you will then treat the symptom of burnout with well-being workshops and all the stuff that's just putting a bandaid on it versus getting to the root causes, which is psychological safety, which is information. inadequate resources to get the job done, that is actually the real root problem. And that's where a connection gap can happen in a sales conversation. We come into it with one problem in mind, how we think we understand the problem. And when the client tells us something different, we don't pivot. We're not flexible enough to adapt. And we miss that opportunity to meet their need. It's time for a quick break, but we'll be right back. Adobe MAX returns November 10th to 12th in Miami Beach and online. Calling all designers, illustrators, photographers, content creators, video pros. Want to find fresh inspiration, connect with your creative community, and explore what's possible with the latest AI tools on your own terms? Join us for three days of creative skill building, visionary keynotes, and fun networking events. Learn from the world's top experts and get direct experience with the latest innovations in Creative Cloud in more than 200 sessions, labs, and photo walks. And we're back. Welcome back to our conversation. Where do we drop the ball? We drop the ball by not listening and not asking good questions. And Chris, you know that we talk about this all the time. We have to ask good questions. So here's the three main traps that I find people fall into just in my years of doing this. People tend to be fixers, avoiders, or connectors. The fixers are the ones that think that they understand the problem at hand. And instead of listening and understanding and asking more questions, they jump in with solutions. And I have been guilty of this myself. I can fully acknowledge it. But we missed the mark because what the client is looking for is to get a sense that they can trust us to bring the right solution to the table to solve their problem. I saw you post something the other day where it was like people don't buy from the best person. They buy from the person that they trust the most. the most. The person that they feel can get the job done with the least amount of friction. So the fixers create friction. The avoiders, these are the ones who bypass the emotions altogether. So the client is sharing pain points. There's no validation of the pain point. There's no expression of understanding. They just kind of skirt past and they're like, "Okay, well, here's what we're going to do." that also is a mess. And then the connectors are the ones where we try to relate back to our own experiences, which can land sometimes where we share, oh, yeah, I've worked with XYZ clients on this. But so what? The client that's sitting right there with you wants to feel like the most important person in the room. And if you're shifting the focus to here's what I know and here's what I've done, we're connecting our own experiences. Yet we're missing the opportunity to actually forge a relationship with the client. You're saying that in sales that we're making the mistake that we're treating as a transactional relationship versus a relational one. Yeah. Isn't that the problem? that they're thinking of it as relational. I think of so many people in the creative space when they work with a stranger, like, well, they asked me for a lower price. I value the relationship. I will agree to do it less. And, oh, I wouldn't charge my friends this. So I can't then therefore charge you. I thought that was the root of the problem. And you're saying, no, no, it's the exact opposite. Can you help explain that part, please? Yeah, I mean, I think you can have a relationship with somebody and still maintain your fee integrity and still maintain your boundaries. Just because you have a bond with someone doesn't mean that your price goes down to accommodate them, unless that is something that you have built in. Like if you've built into your model, I can take on five clients every year where I reduce my fee. Wonderful, great, fabulous. But if you're doing that with every single person because, oh, it was a referral or, oh, this person is a friend, you're not going to be in business very long. And in fact, I would say that your real friends are going to pay your fee because they value the work that you're doing. They see what you're doing brings meaning and is a service to others. And they don't want to shortchange you in that. I just am bothered by this concept that this relational thing, because it's My experience has been anything but the relational part is good. I want to treat it like business. The reward for us doing good business together is we can be friends, not the other way around. Are you saying then that you don't feel like you have a relationship with your clients? I do have a relationship. It's a professional relationship. Sometimes we become friends, but I don't do it to try to get more friends. Which is the problem. A lot of creative people like, oh, such a cool brand. They're going to like me. We can be friends. Let's play golf together. No, no, no, no, no. I'm not advocating for that. So let me be very clear. When I talk about relation, like having a relational approach in business, I'm talking about a professional relationship. As in you give a crap about this client. You want to be able to make a positive impact. you want to be able to have a service that is going to transform in some way, shape or form. I'm not talking about being buddy-buddy with them. Like I would not call myself that's like friends with many of my clients, maybe a couple, but not really. What I'm advocating for is to approach clients your relationships with clients as just that, as like, I want to help this person. I want to get to know what their pain points are. I want to make sure that what I'm providing them actually meets their needs. That's the extent of it. I'm not talking about. Oh, yeah, I just call that being professional. Well, but it is a relationship and not everybody approaches it from that standpoint. There are many creatives that enter a sales conversation with I have this product to sell. I am going to pitch it to you. You get to hear my pitch. Let me know if you want it. There's no questions. There's no discovery. There's no curiosity. There's no relationship building. There's nothing. It's just... here's what I want to give you. And then the other person is thrown off and they're like, I don't want to buy this. Like they're repelled by it because there's no relationship built. There's no trust. There's no, you know, yeah. Why would they go with you? Okay. It would take a very confident person to say that, to say it just the way you said it. Here's my product. Here's my service. These are the fees. This is the timetable. Buy it or don't. Dan Sullivan says, I'm going to ask you this one question. If you can't answer, I'm out. I give you no second chances. There's no redos. There's no undos. There's one chance. I don't necessarily view that as transactional or relational. I just view it like, I have a very strong gate or filter for who I'm going to allow to work with me. And these are the terms and conditions. And you'll know if you're right for me. And I'll also know if I'm right for you really fast. If you can just answer this one question. Would you agree, though, that the majority of your audience is not quite at that level? I would agree 99.999% of them are not that level. Correct. So what is the transactional version that our audience is doing that is not that version? Yeah, I mean, I think it's showing up, not really asking questions, assuming you understand what the problems are, and then being like, here's what my product is, right? I think it's a lack of confidence that actually drives that approach. approach, because when you're confident, you can sit down and actually explore a little bit and be like, OK, so tell me a little bit more. You mentioned in your email exchange to me, this is what's going on. I'd love to hear a bit more. And you talk it through and then you're able to adapt and formulate your offering accordingly. That's not doesn't mean that you're customizing every single thing you might, but that you have a good sense of actually identifying the problems versus the symptoms and then catering accordingly. I think that that is a relationally driven approach that is successful. At least it's been successful for me. So the other part that you said, which I am 100% on board with, is that we don't ask great questions and we're not really listening because we fall into one of three categories. You're the fixer. I think you think you have all the answers and your value to the world is that I got, I got it. And you're going to jump to conclusions and pre-diagnose and prescribe solutions before you even really understand the other person. We have a lot of those people because our society rewards people for having answers to the avoiders. The avoiders is like, I hear something, I'm going to just jump right over it. Now I would say like men probably fall into that category more than women because like, oh, sounds like emotion. I'm gonna run away from this, right? And I admit, if I see another man tearing up, I'm gonna look the other way, 'cause I'm like, I'm gonna give you some space. Bruh, compose yourself and we'll get back to it. 'Cause I feel the more I look at that person, the more guilt and possible shame they might feel in a moment. Number three is the connectors. I like the concept, I don't like the word, but I like the concept a lot. Now we're taught that empathy is a really good thing to have. And we think the demonstration of empathy is you're having a moment. Let me make it about me. I'm going to tell you about how I was abused and traumatized. And then the other person is like, this ain't about you. Correct. Yeah. I often recommend to people, Give them space. Follow up. Don't make it about you. That is not empathy. That's something else. That's about self-centeredness. And I think we've been programmed that if I just relate how I lost somebody or lost an animal, then I'm relating to you. Yeah. That's not what we do. No. What should we do instead of the connector part? Yeah. So what we want to aim for is to be an explorer. So the explorers are the ones that are really great at asking deeper questions. They don't take the face value response as it is. So they'll say things. Here's some like examples. Could you tell me more about help me to better understand? Could you share a little bit? Right. Like these are prompts to help the other person to dive a little bit deeper into their own emotional experience. And then for you to practice two key skills. One is normalization, meaning I help you to feel less alone and not like you're out of bounds for feeling upset or distressed by the situation that you're experiencing and then validating. meaning that you say something along the lines of, I get it. That makes sense to me that you would feel embarrassed or you would feel frustrated or you would feel disappointed. Those are the really core elements of being a explorer. And those traits also will make you a successful salesperson. So I'm I'm new to sales. How do I transition from a friendly state to a business state? So the first step is you have to get past your discomfort of having a conversation about it because you're going to have to address it now, right? And one of the things I recommend to like the leaders I work with when they have a friendly relationship, but now all of a sudden they're having to kind of put some expectations in place or have a difficult conversation is to make it lighthearted. It doesn't have to be so serious, but you can say something along the lines of, okay, I know that we're friendly, but I'm going to have to put my boss hat on now. We'd be doing you a disservice if I didn't give you this feedback. Here's where we can grow. Same type of thing can go with a client. It's like, okay, you know, I know that we're good friends, but you know, I got to put my business hat on here. Here's what my fee is. Here's what my expectations are. Does that work for you? We can stay friends regardless. Like it's not going to affect the relationship. But if it's not within your price point, if it's not something that you think you can move forward with, that's okay. Just let me know. But I think having that conversation is really important and people avoid it because it's uncomfortable, especially when the boundaries have already blurred. Sometimes I literally will, like for my clients, for example, I'm thinking back to therapy clients who I am friendly, not friends with. I will let them know like, hey, I got to put my therapist hat on here, right? I would not be a good therapist if I didn't gently nudge you about this thing. Time out. You just said it two different tones, by the way. When you put your therapist hat on, you sounded like a boss. When you said, oh, I got to put my business boss hat on, it sounded very soft to me. Yeah. Why is that? Well, you're leading with the friendship, right? You're acknowledging we have a different relationship and... I'm also signaling. So here's the attunement piece. I am also signaling so the other person can read my cue that, hey, this is a gear shift now. And they will pick up on that subconsciously and consciously. And subtle shifts like that is how we get others to attune to us and how we attune to others. Is this like pacing and leading? It can be. That's a part of it for sure. I mean, think think body language, think tonality, think cadence, think physical posture, think proximity. All of these things play a role in whether people feel connected or disconnected from you. And you can have hard conversations while maintaining connection. That is the misconception people have. I used to have trouble walking with people. Is It's hella awkward. I'm just gonna put it out there. Like, am I following you? Are you following me? Like, we're like crossing over each other. It's so weird. And I think that is the visual representation when we're out of attunement. Yes. These days, I don't have that problem anymore. I don't know why, but I feel better about myself. Maybe we walk and we talk. And then if I want to go across this way versus the path we're on, I would just pivot internally. It Is it cool if we go this way? And then, yeah, let's go this way. Like, I think it's over here. So then we're in sync, in step, in pace, in alignment. And then we just gently pivot and we redirect. Yes. That's the visual version. Pacing is going to be literally the pace of the conversation, right? So like, Chris, when you speed up, I speed up. When you slow down, I slow down. We're matching. We're matching. But there, let me caveat that. With one situation, which is when people are in a stressed state, you do not want to match that tenor. So if a client is coming to you and they're like, oh, my God, like things are falling apart. You do not want to meet them at that same level of intensity. This is where co-regulation, which means that my nervous system is now going to bring down their nervous system. I'm in control now. They're out of control. I am now in control. That is leading, taking the reins of the conversation when needed. You talk about the four domains of attunement, which you are tipping at in the book, Working Well. What are they and how do we use them? You can remember the four domains with the acronym FRSC, F-R-S-C. F is for flexibility. R is reading cues. S is self-regulation. C is collaboration. So flexibility, that means that you're agilely able to respond to people's needs. When they need to pivot, you pivot. When they need to stay on something, you stay on something. Doesn't mean you don't circle back to your agenda. It just means in that moment, that's not what's needed. R is reading cues. So this is where you notice the micro shifts that happen in people's demeanor. This can be a little tricky with neurodivergent people because eye contact might be a little bit different. So just know who you're speaking to. But generally, people will make eye contact with you. Their body language will be different. when they're open to you will be open. And if it's not, it means that they're inhibiting their emotional response to you, right? What's their tone of voice looking like? What is the cadence sounding like? All of those are gonna be cues to be paying attention to. Then you have self-regulation. So this is your capacity to manage your own physiological and emotional response. So you're going to need to do four, seven, eight breathing when you start to notice that you feel overwhelmed. Breathe in through your nose for four seconds, hold in the breath for seven, exhale through your mouth for eight. Ground yourself. All of that is going to help to let your nervous system know, hey, I'm safe. And then the last one is collaboration. So this is just simply working recognizing and communicating and creating a felt sense that we are an allied front. We're on the same team, that we want the same mutually agreed upon outcomes. And I want to hear your feedback and you want to hear mine. It's as simple as that. Or really easy skills that have an outsized impact. Okay. Since we're talking about sales, you dropped the price finally. Yeah. And you have a funny response to it versus an emphatic, joyful yes. And they're like, all of a sudden Bambi on ice. What is the way that you can check in with them? What are phrases that you like to use? One that you taught me, Chris, all those years ago that has been served me very well is first I name it, right? So here's like the acknowledgement. Hey, I just noticed that there might be something that is still feeling that you might be feeling unsure about. I'm just really curious to know what would make this a no brainer for you? Like what would allow you to go back and be like, hell yes, I want to book this person right now and pay her full fee. And that opens up a conversation. Sometimes people will be like, oh, nothing. Like, it's not a question of that, right? Other times I have heard from somebody or from clients like, yeah, well, I think if we added in X, Y, Z, it would just make it even better. And I'm like, let's talk about that then. So sometimes like even just simple questions like that can underline uncover the objection that was hidden previously. This conversation absolutely did not disappoint. You over-delivered in value as many of our conversations have gone in the past. That's one of the reasons why you keep hearing collaborations between Nidhi and myself. Super smart, experienced lady who's thought about these things in way deeper, more profound ways than I have. And I want to thank you for coming on the show. Thanks for sharing your knowledge. And I want to wish you the very best with your book. Let's help her to get this on some list, y'all. - Please. - Best seller list. That's what we want, right? We need to move some books here. So if you've enjoyed this, and if you want to be a friend and not the rat bastard kind of friend, you pay full price. - That's right.
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    “The reward for us doing good business together is we can be friends, not the other way around.”

    — Chris Do

    Topic
    SALES

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