Answering Questions About My Book From The Pro Group
Chris Do breaks down the painful but profitable process of self-publishing his book, from pre-selling on Kickstarter to retaining 100% of the profits.
Chris Do
Founder, The Futur™ · August 14, 2020
The Fear of Permanence
A tweet is ephemeral. A video lives on a server, its relevance fading with the algorithm. A book is different. A book is an artifact, a physical object carved from trees and bound with intention. It sits on a shelf. It evens out a wobbly table. It becomes landfill.
This is the fear of permanence. And for Chris Do, a prolific creator who produces countless hours of content, the idea of writing a book was, in his own words, “super scary and daunting.”
It’s a paradox many creators face. The constant output of digital media feels fluid and forgiving. But a book feels final. It’s a statement of record. Committing ideas to print carries a weight that a post or a story simply does not.
“When it comes to a book, I don't know if it's the stature or the permanence of it,” Do explains. “You've hurt trees to make something that I don't want to be just landfill.”
This hesitation didn’t come from a lack of ideas. It came from a deep-seated fear of not being good enough, of creating something that didn’t justify its own physical existence. It’s a fear that paralyzes countless experts who have immense value to share but cannot take the first step toward immortalizing it on paper.
The solution, for Do, was not to wait for the fear to subside. The solution was to create a system that made moving forward a necessity.
The Kickstarter Trigger
The idea to write a book, Pocket Full of Do, was not one Do initiated on his own. It was born from the persistent requests of his audience on YouTube and Twitter. “Kristo you need to write a book,” they said. Eventually, he gave in.
But he didn’t simply start writing. He decided to apply a core business principle he teaches relentlessly: **pre-sell something to know there’s demand for it**.
This is a critical strategy for any creator. Too many people are seduced by compliments. They hear friends say, “Oh, I love your shirt, I’d love to buy it,” so they go make 200 of them, only to find the compliments were just that: compliments. Now they have dead inventory and a painful lesson in business.
“In the educational space, especially if you're thinking about authoring a course, doing a a workshop, you should do a pre-sale,” Do advises. “It's a concept that's very familiar to people who are in the space.”
With the help of his team, including designer and editor Greg Gunn, Do created a few sample pages and launched a Kickstarter campaign. The goal was set at $25,000. If the campaign raised less than that, it simply wouldn’t be worth the immense effort required. It was a clear, data-driven test of market viability.
The good news came quickly. The campaign hit its $25,000 goal within the first week. It sailed past stretch goals of $50,000 and ultimately ended around $75,000 in pre-sales.
The bad news? As Do puts it, “Bad news, I have to write a book.”
The Kickstarter served two functions. First, it completely de-risked the project financially, providing the capital for printing and production. Second, and more importantly, it created an unbreakable commitment. People had paid. Trust had been extended. There was no turning back.
The Power of Public Accountability
The success of the Kickstarter transformed the project from a private ambition into a public promise. This, Do argues, is one of the most powerful motivational tools available.
“When you make a commitment and trust has been given to you, that is sometimes enough to keep you moving forward,” he says. This is the essence of **public declaration** as a forcing function for growth.
Do compares it to the vows of a traditional marriage. You make an eternal promise in front of your family and closest friends, the people whose opinions you value most. That public pledge becomes a powerful anchor during the difficult times that inevitably arise in any long-term relationship.
“There are points in which you're like, I don't know if this works,” Do admits. “Choosing that easier path would make my life temporarily better, but sticking through it, figuring out how to solve those problems and those promises that you make actually make you a better person.”
Writing the book was a painful process. It took what felt like nine months, a period filled with self-doubt and the nagging feeling of repetition. “I felt like I was saying the same thing,” he recalls telling his editor. “Maybe I only have like 10 things to say, I'm just finding different ways to say it.”
The pressure from the public commitment was immense. Supporters who had backed the project in December 2018 were waiting. As months turned into a year, the complaints started to mount. “Greg had to field his many shares of complaints like, what the heck, this is a scam,” Do confesses. The a crucial concept he covers in how personal brands build trust.
It was the weight of that public trust that forced him to push through the pain, the fear, and the creative blocks. The book wasn’t just for him anymore. It was for the thousands of people who believed in it before it even existed.
That is not a small thing.
The Publisher’s Dilemma: Control vs. Credentials
One of the most significant decisions for any author is whether to seek a traditional publisher or to self-publish. For many, a contract with a major publisher like Penguin or HarperCollins is a powerful credential. It’s a stamp of validation, an external signal that your work has met a professional standard.
“It's almost like saying I graduated from med school,” Do explains. “For a lot of people, it's a feather in their cap.”
Traditional publishers also handle the complex logistics of design, marketing, and distribution, which most authors lack the bandwidth or expertise to manage. But this convenience comes at a steep price: a loss of control.
This is not the way of The Futur. “The Futur way is to do the hardest, most difficult way and to do everything on our own so that we can use it all as a learning experience,” Do states.
Self-publishing, while fraught with challenges, offers two non-negotiable advantages for creators who want to build a business around their ideas.
First is creative control. A publisher’s primary goal is to produce a profitable book. This means they often make decisions to cut costs, which can compromise the author's vision. They might dictate the size, paper quality, printing methods, and binding. For a designer like Do, this was unacceptable.
For Pocket Full of Do, the team made specific, premium choices that a traditional publisher might have vetoed:
- Pantone Colors: Instead of a standard CMYK process, they used pre-mixed Pantone Matching System (PMS) inks for a brilliant, intense hot pink and blue. This costs more.
- Soft Touch Cover: A specific laminate that feels smooth, has a nice “hand,” and resists fingerprints.
- Hot Foil Stamp: A black-on-black foil stamp for a subtle, premium finish.
These were not just aesthetic choices. They were an extension of the brand and a commitment to quality for the audience that had funded the project. A publisher would have likely pushed back, changing the cost and the very nature of the product.
The second, and arguably more powerful, advantage is financial. “A typical publisher might give you anywhere between 10, 15, maybe 20% if you're like a known person, and they keep the rest,” Do points out. “For every book that we sell, we are basically making 100% of the profits.”
To put this in perspective, Do cites the example of Michael Bungay Stanier, author of the self-published bestseller The Coaching Habit. Stanier sold over 800,000 copies of his book after traditional publishers rejected it. “Let's pretend for a minute he made ten dollars per book,” Do calculates. “You do the math... that would mean he would have eight million dollars from writing a book.”
This is transformative. It demonstrates that the path to truly rewarding teachers and creators for the value they provide is often outside the traditional system. To earn the same amount of money through a publisher offering a 10% royalty, Stanier would have needed to sell ten times as many books, an almost impossible feat. Self-publishing allows creators to build a sustainable business on a smaller, more dedicated audience, a key lesson found in how businesses attract their ideal clients.
The Anatomy of a Mistake
Doing everything yourself means you learn everything yourself. It also means you make every mistake yourself. The journey of getting Pocket Full of Do into the hands of readers was a masterclass in logistical hurdles and unforeseen complications.
The first edition sold out, and for the second run of 10,000 copies, the team decided to use Amazon for fulfillment in North America. This introduced a new set of rigid rules and, inevitably, a critical error.
The problem was the barcode. Months before the book was finished, a barcode was generated in Amazon’s system with the wrong product description. When the physical books finally arrived at Amazon’s warehouses, the barcode on the books matched an old, incorrect digital entry. Amazon’s system flagged it as an ebook, a product that had never been sold on their platform.
“That opened up a whole can of worms,” Do says. The monolith of Amazon, which sells a “gazillion books a day,” has little flexibility to deal with small creators' unique problems. The seemingly simple fix of updating a description became a bureaucratic nightmare. The alternative was a logistical horror: printing new barcode stickers and manually opening every shrink-wrapped book to apply them. “I don't want to deal with that,” he laments.
This was just one of many lessons learned the hard way. Other painful obstacles included:
- Book Design: The first edition was too thick for its dimensions, making it difficult to hold open and read. The second edition was made slightly wider and taller to increase the margins and improve the reading experience.
- International Shipping: Shipping overseas proved to be a minefield. Inaccurate addresses, failed delivery attempts, and books being returned to the sender created a financial and emotional drain. “Now we've spent more money on shipping the book than we have in terms of the money we could have made on the book,” Do explains.
- Local Nuances: The team learned they needed local partners in different countries to help with fulfillment. A local distributor would know that an address was transposed or formatted incorrectly, preventing a failed shipment before it even happened.
These mistakes are not failures. They are the tuition you pay for the education of entrepreneurship. Each problem revealed a flaw in the process, providing invaluable data for the next project. This is the growth that comes from doing things the hard way, a theme Do often revisits when discussing the realities of building a business.
The Craft of Simplicity
Beyond the business and logistics, the book itself presented a deep creative challenge: how to distill a lifetime of lessons into a format that was potent and accessible. Do’s goal was ambitious. “I admire and respect writers who are able to use the fewest number of words to describe the most complicated ideas in the simplest way,” he states. “That was a real struggle.”
This commitment to the **economy of words** defined the book's structure. Each lesson is contained on a single page, paired with a graphic design element that acts as a mini-poster to illustrate the point. This format forced a rigorous editing process, pushing and pulling ideas until they could be communicated with clarity and brevity.
He was writing for a very specific person: a younger version of himself. He wanted to create the book he wished he had, one filled with high-level ideas that could save a young creative from years of future pain. This contrasts sharply with many business books that take one or two concepts and stretch them across 300 pages with endless stories and repetition.
“I'm the kind of person who likes big ideas, high-level thinking backed with some research, but I don't need 45 stories,” Do says. “I get it and I get it quick.”
The most painful part of this craft came during the recording of the audiobook. As he read his own words aloud, he was horrified. “This sounds terrible. What monkey wrote this book? Oh, this one,” he recalls thinking. The experience was so draining he almost didn’t want to finish.
It was a conversation with legendary brand consultant and author Marty Neumeier that provided a breakthrough. Neumeier, a perfectionist and master of concise writing, shared two critical pieces of advice:
- If it doesn’t sound right, change it. When recording an audiobook, don't be a slave to the printed text. “Nobody is literally holding the book and comparing it,” Neumeier told him. Rephrase sentences so they flow naturally when spoken.
- Write for the ear. After his first audiobook, Neumeier changed his entire writing process. He began writing by reading his words out loud to ensure they sounded right. This fundamentally improves the flow and clarity of the prose.
This insight was a revelation. To be a better writer, you must speak your words. This process closes the gap between the idea in your head and the experience of the reader, ensuring your message lands with the intended rhythm and impact.
From Plagiarism to Curation
For aspiring writers and creators, one of the biggest initial hurdles is the fear of plagiarism. Where do ideas come from? How much can you borrow before it becomes theft?
The truth, Do argues, is that everything we create is a remix. “Everything we do, believe it or not, is in some form copying things that we've learned from other people,” he says. “Language, the alphabet, the fonts that we use... it's borrowed by and made by somebody else.”
The key distinction lies in intent. Plagiarism is the intent to steal work and hide the source for personal gain. Ethical creation is about honoring sources, giving credit, and adding to the conversation.
A simple rule of thumb: if you’re not sure, ask yourself how you would feel if someone did the same thing with your work. Would you feel honored or cheated? Your gut reaction is your guide.
In the world of social media, this line is crossed frequently and blatantly. Do identifies two common forms of unethical content sharing:
- Cropping Credit: Users will take a carousel or image and intentionally crop out the original creator’s name or handle. The act of cropping proves the intent is to hide the source, not to honor it.
- Re-Typesetting Without Attribution: This involves taking someone else's exact text, reformatting it with a new image, and passing it off as original. A vague “inspired by” tag buried in a long caption is not sufficient credit. It’s a deliberate attempt to mislead.
This behavior comes from a place of insecurity. “You fear people will love you less, that respect you less, and not give you any credit,” Do observes. But this is a shortcut to a short-term career. True authority is built not by pretending to be an oracle, but by becoming a trusted curator. Your value is in finding and sharing the best content for your audience while simultaneously honoring the creators. Finding your unique voice is a central idea Do covers in building content that connects.
The path forward for any aspiring author or thought leader is clear. Don't steal. Instead, synthesize. Take the ideas you learn, filter them through your own experiences, add your unique perspective, and give credit generously. That is how you contribute, not just copy.
Your Content Is Your Kickstarter
So, you want to write a book three or four years from now. What should you do today? The answer is not to start writing the book in secret. The answer comes from marketing guru Seth Godin. “Today if you want to be a writer, don't write your book first and then build an audience,” Do paraphrases. “You should be building your audience before you write the book.”
Your audience is your validation engine. They will show up for you, support you, and, most importantly, tell you which of your ideas are actually helpful. Your content is the proving ground for your future book.
Do is already applying this strategy for his next potential projects. On Instagram, he creates 10-slide carousels organized into categories like mindset, business, and marketing. These are bite-sized versions of the lessons he might one day compile into a book. The performance of this content provides real-world data on what resonates with his audience.
“I can then take the highest-performing, best-received carousels and take those and make 10 pages of a book out of it,” he explains. “I know it works because think about the attention span of people on Instagram.”
This is the modern playbook for authorship. It’s about de-risking the creative process in the same way a Kickstarter de-risks the financial process. Don't guess what people want to read. Show them.
Start small. Start today. Your first step isn't to write a chapter. It is to take one idea and share it.
Write a tweet. Then a paragraph on LinkedIn. Then a short blog post. Every piece of content is a rep. Every like, comment, and share is feedback. You are building your book one validated idea at a time, all while growing the audience that will one day be eager to buy it.
Stop waiting for permission. Stop waiting for the fear to disappear. Start building in public, and let your audience guide you toward the book they are waiting for you to write.
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“The only way through it is through it.”
— Chris Do
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