A Single DM, A Polite Rejection
It started with a simple direct message. UK-based graphic designer and podcaster Liz Mosley saw an opening and took it. It was two years ago at Adobe MAX. She bought a book from The Futur’s founder, Chris Do, and posted about it on Instagram.
Do replied with a polite thank you. Seeing the message pop up in her priority inbox, Mosley felt emboldened. A mutual friend, PR expert Lucy Werner, had just been invited onto Do’s podcast. The timing felt right.
“I'm going to invite him to be on my podcast,” she decided. She quickly typed out a message and hit send.
The reply was almost instant. “How many downloads does it have?”
Mosley told him the number. The response that came back was kind, logical, and a clear rejection. Do explained that her podcast’s audience was a bit small for what he was aiming for at the time and gave her a target number to hit before reaching out again.
“It was actually like the nicest rejection really that I could have received,” Mosley admits. “It wasn't a forever no, it was very polite, you know, you explained your reasons why.”
But the politeness didn't erase the feeling. The immediate emotion was embarrassment, quickly followed by a sense of shame. “Who was I to ask Chris Do to be on my podcast?” she thought. The internal narrative began spinning, a familiar cycle for any creative who has ever put themselves out there.
Her brain’s immediate, self-protective response was swift and absolute: “I'm not going to do that again. Because this doesn't feel good.”
The Decision to Fail Deliberately
The feeling lingered. Mosley found the intensity of her emotional reaction fascinating. It seemed disproportionate to the actual event, which was a private, polite, and well-reasoned “no.”
If such a gentle rejection could trigger this self-preservation instinct, how many other opportunities was this fear silently killing? The realization dawned on her. This fear was a hidden ceiling on her career and business.
“My brain really quickly went to okay, I'm not going to do that again because this doesn't feel good,” she recalls. “And then it just kind of like dawned on me all the ways that this was probably holding me back.”
Mosley knew something about herself: she performs well when a challenge is turned into a game. This is the essence of gamification, a powerful tool for changing behavior. So she decided to turn her biggest fear into a game she could win.
She had heard of the concept before. It’s known as Rejection Therapy, an idea originally conceived by Canadian entrepreneur Jason Comely as a card game to help people overcome their fear of asking. It was later popularized by Jia Jiang, whose TED Talk, “What I learned from 100 days of rejection,” documented his own quest to desensitize himself to the word “no.”
Mosley set her own rules. The challenge would be professional, not personal. She wasn’t interested in asking strangers for a duet on the street. This was about business.
The parameters were clear:
- The Goal: Secure 100 rejections.
- The Timeline: Six months.
- The Arena: Professional opportunities only.
“I'm going to try and get a hundred rejections in a professional capacity in six months,” she declared. By making rejection the goal, “no” became a win. Suddenly, the entire emotional landscape of pitching shifted.
Building the Rejection Machine
The moment Mosley made the decision, her mindset changed. The fear didn't vanish, but it was repurposed. Failure was now the objective, and every “no” was a point on the scoreboard.
She began by compiling a list, a backlog of at least 100 things she could pitch for. This wasn't about sending spam; it was about identifying genuine opportunities she wanted but was too afraid to pursue.
- Podcast sponsorships for her show, Building Your Brand.
- Dream guests for her podcast.
- Speaking opportunities at conferences.
- Industry awards she wanted to enter.
With the list of targets in hand, the next phase was operational. She needed contact information. Using LinkedIn Premium, she began tracking down the right people. She researched corporate email conventions, learning to guess addresses when they weren't publicly available. It was a systematic process of intelligence gathering before the first shot was even fired.
Her pitching strategy was twofold. For most pitches, she would carefully construct a compelling email. Having a podcast of her own gave her an advantage; she knew firsthand what a terrible pitch looked like. “I get so many pitches for that and they range from the absolutely incredible to the absolutely abysmal,” she says. This insight, a key part of developing a strong personal brand, informed her approach. You can learn just as much from bad examples as you can from good ones, a concept Chris Do often explores when discussing how to find and get your dream clients.
But sometimes, opportunity wouldn’t wait for a perfectly crafted email. Like her initial message to Do, some pitches were spontaneous, fired off in a moment of inspiration. The key was consistent action.
As she documented the process on social media, people were intrigued, if a little confused. “Why on Earth would I be going out pursuing rejection?” they would ask. But the answer would soon become clear.
The Neo Moment: When 'No' Becomes 'Yes'
Mosley’s first major target for sponsorship was at the top of her dream list: the email marketing platform Flowdesk. She was already a top affiliate, a fact she discovered when they sent her a semi-targeted email update.
This was her opening.
She replied spontaneously. “Thanks for letting me know I'm one of your top affiliates. I've been thinking for a while it would be great... Flowdesk would be the perfect fit for my podcast. What do you think?”
The response was not the rejection she was hunting for. They replied, “Yeah, we've listened to your podcast, send us your deck, we think we'd be a great fit.”
The first company she pitched, her dream sponsor, said yes. “I couldn't believe it,” Mosley says. “And so that... was amazing. This isn't going to play out quite how I expected it to play out.”
This was what Chris Do calls her Neo moment. It’s the scene in The Matrix where the hero, Neo, stops running from his enemies and realizes he controls the rules of the world he inhabits. The bullets he once feared now stop in mid-air. The fear is gone, replaced by an understanding of the system.
As Do explains, “All of a sudden it just clicks. You realize you are the one.”
By creating a win-win situation where both “yes” and “no” were positive outcomes, Mosley had fundamentally altered her own reality. A “no” was a point for the challenge. A “yes” was a business victory. With no downside, her confidence soared.
This new energy was palpable. “Maybe I came across less desperate or something,” she muses. “But I think that confidence impacted how I came across when I was pitching for things.”
The principle is simple. Desperation is repulsive. Abundance is attractive. When your pipeline is full and you don’t need the next client to survive, you negotiate differently. You carry yourself differently. People can sense it. This is a core tenet of effective sales and positioning, as it allows you to price the client, not the job.
The yeses kept coming. Mosley utterly failed her rejection challenge. She never got close to pitching 100 things because she couldn’t keep up with delivering on the opportunities people were accepting. Podcasts on her dream pitch list started reaching out to her before she could even ask them.
She had designed a system to get rejected, but instead, she built a machine for generating opportunities.
The Business of Saying No
The journey from fear to fearlessness came with its own set of challenges. While most rejections were polite or simply ghosting, one hit a nerve. Mosley pitched a well-known figure, mentioning her rejection challenge as a hook. The reply was snarky and dismissive of the entire concept.
“That one did hit me right, that one did hurt,” she admits. For about an hour, she spiraled, questioning her entire project. But the recovery was astoundingly fast. Before, an email like that would have derailed her for weeks. Now, she processed it and moved on. The system was working. The resilience was real.
“I know that this is working for me,” she decided. “This is a personal project and it's doing amazing things for me. So actually, it's okay if this guy doesn't like what I'm doing.”
This ability to detach from negative feedback is a superpower for any creator or entrepreneur. It is not about ignoring criticism but about processing it without letting it dismantle your self-worth, a difficult skill discussed in-depth when dealing with negative feedback.
The success of the challenge also raised practical business questions, particularly around sponsorships. This is an area many creators find opaque. How do you price a podcast sponsorship?
Mosley sought advice from Frankie, a fellow UK podcaster from Doing It For The Kids, who generously shared her own pitch deck, numbers, and rates. This act of paying it forward became a core philosophy for Mosley.
Her pricing strategy was based on a few key factors:
- Market Research: Seeing what a slightly larger podcast was charging gave her a benchmark.
- Cost Neutrality: At a minimum, she wanted the sponsorships to cover her podcast editing costs.
- A Comfortable Number: She started with a rate that felt right for her, ultimately landing between $100 and $200 per episode for her initial sponsors.
She also played the long game. With Flowdesk, she negotiated a lower upfront fee in exchange for using her affiliate link, creating a potential for uncapped upside. She understood that landing a sponsor of that caliber was an asset in itself. “Once I had a company of that... caliber as a sponsor, then that goes into my deck of past sponsors and that is going to help me going forward.” Getting your first anything is always the hardest part.
The Full Circle
Mosley’s experiment created ripples she never anticipated. Sharing her story publicly inspired others to face their own fears. She received messages from people who, inspired by her, pitched for something and got it. Her “no” from Chris Do had become a catalyst for dozens of other people’s “yes.”
But the story wasn't over. A conference organizer who heard her speak about the experience insisted she close the loop. “Either you have to get Chris on your podcast or you have to be on his,” he told her. “Somehow there needs to be some conclusion to this story.”
So Mosley pitched again. This time, not for Chris to be on her show, but for her to be on his. She filled out the form on The Futur's website and sent it in August. She didn’t hear back until December.
This taught her another lesson: patience. Sometimes a “no” isn’t a no. It’s just a “not yet.”
She had a similar experience with another dream guest, acclaimed lettering artist Jessica Hische. After an initial positive signal, Mosley sent her pitch and heard nothing for nearly a year. Then, an email arrived with a booking link. What looked like a rejection was just a long delay.
The original rejections on her list were starting to turn into acceptances.
For Chris Do, the exchange was a distant memory. He sends and receives thousands of messages. He has to be selective to serve his mission of teaching a billion people. “Am I going to reach a billion people 42 people at a time? Probably not,” he explains. Having a filter is a necessity for anyone operating at scale.
But hearing Mosley’s story revealed the hidden universe behind a seemingly inconsequential interaction. “So many times in our lives we meet people, we can say something that feels pretty inconsequential to us, and what we don't know is there's a whole another universe of a story,” Do reflects.
The story that started with a “no” had come full circle, leading Mosley to a platform far larger than the one she was originally pitching for. What started as a quest for 100 rejections became a masterclass in building a business. She failed to get rejected, and in doing so, achieved more than she ever thought possible.
The goal was never really about the rejections. It was about what happens when you stop being afraid of them.
She failed the challenge. And it was the best thing that ever happened to her.
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