How to Turn Job Loss into a Creative Career Opportunity w/ Matt Bretz
Chris Do and Matt Bretz show how to turn an unexpected job loss into a powerful career opportunity by navigating industry shifts with resilience.
Chris Do
Founder, The Futur™ · July 9, 2024
Your Access Has Been Revoked
One day you are the Chief Creative Officer of a successful advertising agency. The next, your email is offline, your Slack is dead, and your access to a decade of work has been revoked. This is not a hypothetical. This is what happened to Matt Bretz.
Just weeks after a pleasant surprise encounter with The Futur’s Chris Do on a flight to South by Southwest, Bretz sent a message that stopped Do in his tracks: “Hey guess what, me and Gary no longer with Eisenberg.” After nearly ten years at the helm of creativity for the west coast agency, he and his creative partner were laid off.
The news was a shock, but in retrospect, the signs were there. The advertising world, once an immovable force, is being fractured by relentless change. For anyone in the creative industries, Bretz’s story is not a cautionary tale. It is a playbook.
As Chris Do often reminds his audience, “we have life insurance, we have car insurance, we have home insurance, what we don't have is job insurance.” Your role is not guaranteed. Your company is not permanent. The only thing you can truly own is your response to the inevitable disruption.
The Moore’s Law of Marketing
The ground is shifting beneath the feet of every marketing and advertising agency. For years, the margins have been thinning and the demands have been growing. Do himself pivoted his legendary motion design studio, Blind, away from agency work after observing a troubling trend. “We see over the course of 20 plus years advertisers, advertising agencies ask for more, have smaller budgets, and more constraints, less time,” Do explains. “It just kept going this way.”
Bretz, speaking from the agency C-suite, confirms this reality. He has met with leaders from competing agencies who all agree on one thing. “In my whatever it is 20, 30, 40 years of doing business, this is the hardest time, including the pandemic,” they tell him.
He attributes this fatigue to what he calls a **Moore’s Law of marketing**. Named after Gordon Moore’s 1965 observation that the number of transistors on a microchip doubles about every two years, Bretz’s theory posits that change in the communications landscape is now happening at a similar exponential rate.
This acceleration is exhausting for business owners and creatives alike. It demands constant re-education and strategic pivots just to stay relevant. Bretz lists the recent waves of change that have crashed over the industry:
- Blockchain & Web3: A complex, decentralized future that every brand was suddenly told they needed to understand, which then faded rapidly.
- NFTs: A more tangible expression of blockchain that created a brief, intense gold rush mentality before largely collapsing for mainstream brands.
- AI: The current tsunami, forcing every agency to rethink its production models, value proposition, and creative process.
- Content Creators: The realization by mainstream brands that they need to integrate individual creators directly into their workflow, either as talent or as mini-production companies.
“My main point is change is happening faster and faster and faster,” Bretz says. “And it is very fatiguing for any business owner.” This constant churn destabilizes business models built on slower, more predictable cycles of advertising.
Two Strategies, One Agency
Inside Eisenberg, the agency Bretz helped lead, this external pressure created an internal strategic divergence. The agency was built on a history of making big, disruptive, culture-defining moments. This is the world of iconic Super Bowl spots and campaigns that transcend advertising to become part of the cultural conversation. Bretz and his partner, Gary, who had been at the agency for 24 years, were masters of this craft.
Do recalls a classic Nike ad by Wieden+Kennedy where time seems to slow down around a soaring Michael Jordan. “That was something that kind of captured a feeling but gave it a voice that we didn't even know,” he remembers. “We can actually change the game.”
This is high-risk, high-reward work. It is expensive, time-consuming, and has the potential for massive wins or costly failures. Bretz compares it to the work of his inspiration, legendary music producer Rick Rubin, who is capable of “overseeing and growing and even innovating in spaces that he's not necessarily natively a maker.”
However, the business was increasingly leaning towards a different model. In response to economic uncertainty and the changing media landscape, the agency founder, Eric Eisenberg, began to double down on profit centers that were more stable and predictable. This strategy focused on three pillars:
- Retained Social Media: Creating a steady stream of smaller, personal moments on social platforms for a recurring fee.
- Paid Media Placement: A reliable business where the agency makes a steady 10% profit on media buys.
- Content Creator Integration: Building a framework to work directly with creators, a core focus for the future.
“None of those are the things that you need Gary and I for,” Bretz states plainly. Their specialty was shaping culture, not just participating in daily conversations. The new agency focus wasn't on creating a single, massive cultural moment once a year. It was on maintaining a thousand small, authentic interactions every day.
The very definition of advertising’s purpose has been blown up, particularly for a younger generation that rejects the traditional top-down broadcast model. For Gen Z and Gen Alpha, it is no longer a linear funnel. It is about identity. “They are noticing what brands are authentically there by their side already because the brand has chosen based on the brand purpose to be there,” Bretz explains. Brands must earn their place in a community, not buy their way in. This shift demands a more agile, community-led approach, a theme explored in The Future of Brand Marketing.
The layoff wasn't a failure of performance. It was a strategic realignment. “Eric’s got a very clear idea of where he’s heading with the company,” Bretz reflects, “and he doesn’t need me.”
The Digital Severance
When the hammer dropped, the separation was swift and total. “The day that you're informed that you're laid off, everything is going to get turned off,” Bretz warns. “And you will not have access anymore to any of that stuff.”
This is a brutal but necessary reality in modern business. As Do points out, it is a matter of liability. A disgruntled former employee with access to client lists, internal servers, and company-wide email can cause immense damage. “We do that so that people don't have that ability to sabotage or take all the files and assets,” Do confirms.
For Bretz’s partner, Gary, who had been at the company for 24 years, the digital severance was catastrophic. Everything, from his LinkedIn login to his software subscriptions, was tied to his work email. “He could no longer even get into his LinkedIn,” Bretz says, a process that required lengthy, slow-moving collaboration with his former employer to resolve.
Bretz, however, was in a better position. After a previous career transition, he had learned a critical lesson. He created a personal digital identity, “Brettsnikov,” totally separate from his employer. “I started using Brettsnikov all through my time at Eisenberg as the basis for my subscription to Midjourney, my login to Discord, everything was in my personal stuff.”
This is the first, most crucial tactical lesson for any creative professional. **Separate your tools from your title.** You must own your digital infrastructure. This includes:
- A personal email address at a domain you control.
- A personal website that acts as your central hub.
- All software subscriptions and platform logins tied to your personal email.
- A clear separation between personal and professional devices and accounts.
“Keep your stuff your stuff,” Bretz advises. By building your professional life on a foundation you own, you ensure that a layoff, however abrupt, cannot sever you from your own network, tools, and body of work. This principle of ownership is the foundation of building a career on your own terms, a concept explored in depth in How To Build a Personal Brand, Not Just a Business Brand.
The Power of the In-Breath
Once the initial shock subsides, the instinct for many is to panic, to immediately start executing a plan, to prove their worth by getting busy. Bretz found himself falling into this trap. “I was back to kind of like when I was a young person, driving, driving, driving for everything I wanted,” he recalls. He was working until 11 p.m., networking relentlessly on his phone. His wife pointed out the irony: “You actually turned into a workaholic now that you've been laid off.”
This is the mindset of an employee. The mindset of an entrepreneur, which Bretz now was, requires a different approach. He realized he needed to stop executing and start listening.
“I'm still listening. I'm still on the intake. I'm still on the in-breath of our breath cycle of in and out,” he explains. “I know the exhale will come.” This period of listening is not passive. It is an active strategy for navigating uncertainty and finding the right path forward.
The first step was radical transparency. Bretz decided from the first moment that he would not be self-conscious or secretive about being laid off. This is counterintuitive for many who feel shame or stigma around job loss. But Bretz understood a fundamental truth: transparency opens doors.
“When you are fairly transparent about the transition that you're going into, you are opening doors and windows to all sorts of people helping you out, which is basically what most humans want to do,” he says. His community immediately began to mobilize.
His rule was simple: take every meeting. Every person who reached out, no matter their position or perceived ability to help, got a coffee, a call, or a meal with him. He treated every interaction as an opportunity to listen and learn. “Open every door,” he urges, “because it will lead to the next door.”
One of those doors was opened by a junior copywriter he had worked with years ago. A simple call led to a conversation about a project they were working on, which in turn led to an opportunity for Bretz to contribute. “I would never have foreseen this person and this moment as something new for me,” he admits. Humility and openness created an opportunity that a pre-planned, rigid job search would have missed. This idea, that opportunities come from genuine connection rather than transactional networking, is a core tenet for building an authentic career, something Do discusses in Ditch Networking. Build An Authentic Personal Brand Instead.
Building a Salon from the Ashes
As Bretz continued his “in-breath” period of listening, he didn’t just wait for opportunities to come to him. He started creating value for his network, even without a formal title or company behind him.
An old friend, a successful serial entrepreneur, reached out to offer advice based on her own experiences striking out on her own. Bretz, practicing a principle of reciprocal value, asked her a simple question: “What are your roadblocks? How could we help you?”
She articulated her challenges with two of her startups. Bretz saw a chance to connect people. He decided to host what he called a “salon,” a term used by Impressionist painters in the 20th century who would gather to share inspiration and discuss their challenges.
He reached out to seven or eight other entrepreneurs in his network. “I'm going to reach out to a number of other entrepreneurs... people that I'd worked with over time who were out on their own,” he explains. He curated the group to ensure it included people who could help his friend with her specific problems, along with others who would bring diverse perspectives.
The group of ten met at a local restaurant for three hours. The result was electric. “To a person, every person at that table has been like, ‘this was one of the most important, transformative things that has happened in the last few years for me,’” Bretz reports. The group is now cross-collaborating, solving each other's problems, and communicating regularly.
This is the ultimate expression of **turning job loss into a creative opportunity**. Bretz became a connector, a-value-creator, a community builder, all without a business card or a formal role. He leveraged his most valuable asset: his network, built over decades of being, as Do puts it, a “genuinely good human being.”
When you are a valuable and supportive member of a community, that community will conspire to help you in your time of need. “The people who love you, who believe in you, who you've built a relationship with, will conspire to help you now,” Do says. Bretz's salon is proof that creating value for others is the fastest way to create opportunities for yourself.
The Emotional Reckoning
This proactive, strategic response doesn't mean the process is painless. Bretz is candid about the emotional toll of his experience. It is not all networking and stoic resilience. There is anger, fear, and depression.
“I've been having a lot of emotions. I've been upset. I miss people. I'm angry,” he admits with frankness. “Despite how reasonable I've been, I'm angry at Eric Eisenberg.”
He says his anger stems from a sense of injustice. “What the hell? I'm the... we should all strive to think that we're the most important and most valuable human on the face of the planet.” To be dismissed by someone, to be told you are no longer of value, is a direct assault on that core sense of self-worth.
Rationally, he understands the decision. He acknowledges the strategic misalignment between his values and the company’s new direction. “I've been fighting for you know, 10 years to make this place in some ways something that it wasn't because it didn't reflect my core values,” he realizes. “And that's why I'm being ushered out the door right now.” In that light, the layoff is a gift, a release that allows him to find or build something that is a better fit. But understanding this doesn't erase the emotion.
He also admits to a deep-seated fear. As a veteran in an industry obsessed with youth, he faces the specter of ageism. “I'm definitely afraid that a lot of the factors that are at play with our economy, with the history of injustice and inequity in our country and in our industry, with ageism, that I will never find another job.”
Acknowledging these feelings is not a sign of weakness. It is a necessary part of the process. It is the only way to move through them. Bretz finds solace in simple, grounding activities. He goes for long hikes, remembering the advice of an educator who would take angry parents for a walk. “He had learned that when animals can see the horizon, they feel safer.” Getting outside provides perspective and helps him work through the struggles. For more on managing the mental and emotional side of a creative career, see Overcoming Stress & Anxiety with Kyle T. Webster.
A job loss is a form of grief. You grieve the loss of routine, of colleagues, of a future you had planned. Giving yourself the space to feel the anger, the sadness, and the fear is as critical as updating your resume.
Your Next Chapter
The path forward for Matt Bretz is still taking shape. He is still in the “in-breath” phase, gathering information and exploring possibilities. But his response offers a clear model for anyone facing a similar disruption.
It begins with owning your infrastructure. It continues with radical transparency and a humble willingness to listen to everyone in your network. It is sustained by finding ways to create value for others, even when you have nothing to gain yourself. And it is grounded in the emotional honesty to accept the pain and fear of the transition.
The era of stable, lifelong employment is over, especially in creative fields. The forces of technological acceleration and economic pressure are relentless. Your security cannot come from a company.
It must come from within. It must come from the community you build, the skills you own, and your ability to see a crisis not as an end, but as a long-overdue beginning.
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“What we don't have is job insurance.”
— Chris Do
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