Stand Out From Competitors—Here's How (FREE Design Cuts course)
Chris Do provides a complete playbook for creatives to stand out, command higher fees, and attract better clients.
Chris Do
Founder, The Futur™ · February 20, 2025
Your Competition Is Irrelevant
Most creatives are playing the wrong game. They believe that to win more work, they must offer more services, show more projects, and be more available. They operate under the assumption that a wider net catches more fish.
This is a losing strategy.
In a crowded market, and especially during an economic downturn, being a generalist makes you a commodity. You are forced to compete on price, and it is a race to the bottom you cannot win. Someone will always be cheaper. Someone will always be faster.
Standing out is not about being slightly better. It is about being different. It is about creating a distinction in the marketplace so profound that the competition becomes irrelevant. Chris Do, founder of The Futur and a veteran of multiple recessions with his former agency Blind, which billed over $80 million, knows this from experience.
“Standing out in your Market is always a smart strategy,” Do says. “But during a recession, when there's typically less work to go around, it's essential.”
The path to becoming undeniable does not involve more work. It involves better work, presented with more intention. It requires a shift from being a service provider to becoming a strategic partner. This is not a slight adjustment. It is a fundamental reinvention of how you see your value and how you communicate it to the world.
The Curation Mandate: Your Portfolio Is a Surgical Tool
Clients make snap judgments. They are deciding, in seconds, if you are worth their time and money. The way they do that is visual.
“Whatever you can do to package your work in the highest possible way,” Do explains, “it communicates on an emotional level to the client that this is expensive and this person knows what they're doing.”
The most common mistake creatives make is showing too much work. They create a sprawling gallery in an attempt to demonstrate breadth, but what they actually signal is a lack of focus. Worse, not all projects are created equal. One weak piece can poison the entire well, lowering the perceived quality of your best work.
The solution is ruthless curation. Stop showing a lot of work. Start showing your best work.
Do’s recommendation is simple: choose three to five of your absolute best projects. Put all your energy into transforming them into powerful case studies. Show multiple angles, different applications, and write about the creative process. Break down a finished piece into its component parts: the logo, the color palette, the typography. This demystifies the process and makes a small project look more comprehensive and strategic.
“In doing so, you make a small project look more comprehensive, more thought out, and therefore increasing the perception, the value of what you're doing,” Do states.
If you are just starting and lack high-profile clients, the principle remains the same. You will likely work with smaller businesses for smaller fees. That is not a problem. It is an opportunity. Take that smaller project and over-deliver. Give it your absolute all.
Think of it as trading up. The work you do for a small client is the audition for a bigger one. As Do learned running his agency, asking a client to take a chance on you for work not in your portfolio is a futile exercise. Nobody will give you the shot. You have to create the proof yourself.
Do recalls a time when he wanted to break into producing high-end car commercials. With no relevant work, he and his team at Blind invested their own time and resources to create a spec spot for Mini Cooper. They wrote a script, created storyboards, and produced a full 30-second commercial. That single piece of self-initiated work opened the door to a flood of similar, high-paying jobs and even won awards.
This is how you manufacture opportunity. The same applies to a single logo design. Do not just show the mark on a black background. That is the work of a logo designer. To become a brand designer, you must show context. Do advises, “Take a simple logo and you combine it with a texture and a color palette and you start to build out a system. This will help you transform from being a logo designer to an identity designer to a brand designer.”
Apply the logo to uniforms, signage, packaging, and collateral. Show how it can be cropped, turned into a pattern, and used in creative ways. Demonstrate that you design systems, not just isolated assets. This is how, Do insists, “you can make a project go from $100 to $100,000 in its perceived value.” Your portfolio is not a record of what you have done. It is a promise of what you can do.
Speak the Language of Business Impact
Stunning visuals are not enough. As a designer, your tendency is to focus on the aesthetics, but that is only half the job. To truly stand out, you must pair your images with sharp, succinct copy that speaks directly to a client’s primary concern: their business.
Do references marketing authority Seth Godin, who made a brilliant observation about communication. “He said that no one wants to read email,” Do explains. “What they want to read is ‘me mail’.”
Everything a client reads on your site, they filter through the lens of “What’s in it for me?” Your process, your tools, your education—these are irrelevant unless they directly translate to a benefit for their business. Stop talking about yourself. Start talking about their problems and your solutions.
When presenting a case study, use the fewest number of words to describe:
- The Problem: What was the business challenge?
- The Solution: What was your strategic approach?
- The Impact: What was the measurable result?
If you can tie your creative services to a tangible business impact, your value skyrockets. Think in terms of metrics. Did your website redesign increase time on site? Did it reduce the bounce rate? Did your packaging lead to higher customer satisfaction scores? Did it drive a higher conversion ratio?
“If you can tie your design or creative services to a business impact, your value is going to go much, much higher,” Do asserts. This shift in language is a core principle of value-based pricing, where fees are tied to the outcome, not just the output.
It sounds obvious, but an overwhelming majority of designer websites miss this entirely. They are filled with jargon and self-focused narratives. They fail to present work in a compelling way that addresses business goals. Consequently, they are missing out on major opportunities.
You have a very short window of time to convince a prospect that you are worth a deeper conversation. If they land on your site and do not see focused work, sharp copy, and a clear benefit to them, they will leave. Someone else, who has done the work to position themselves as a business partner, will get the call. You will be relegated to a category of creatives who get the clients that do not care and the budgets that do not matter.
The Problem Seeker's Advantage
Creatives are taught to be great problem solvers. But according to Do, referencing a conversation with renowned designer Brian Collins, this is a limiting role. “Designers need to move from being problem solvers to problem seekers,” Do says. “And there's a big difference there.”
Clients typically arrive self-diagnosed and self-prescribed. They say, “I need a new logo,” or “I need a new website.” The instinct of 99% of creatives is to jump straight into execution. They start asking about colors, typefaces, and favorite websites. They become, in Do’s words, an “order-taker designer. Like, do you want fries with that?”
A problem seeker does the opposite. They pause. They question the premise. They understand a powerful truth that Do quotes: “There is no such thing as the right answer to the wrong question.”
Your job is to get better at asking the right questions to surface the real problem. Before you discuss the solution, you must diagnose the motivation. When a client says they need a new logo, a problem seeker asks, “This is wonderful, I would love to make you an incredible logo. But before we do this, what is driving this request?”
This simple question changes the dynamic. It pumps the brakes on the client dictating terms and elevates your role. You are no longer a pair of hands for hire. You are a consultant engaging in a strategic dialogue. Often, the client themselves has not fully considered the “why.”
They might respond, “Well, I noticed our competitors have really professional logos and ours was designed by my cousin. We’re about to launch a new product and I’m embarrassed by our current look.”
Now you are getting somewhere. You can follow up: “Great, I understand you want to look more professional. Let me ask you another question: will changing your logo impact the business, and how?”
This line of inquiry uncovers the true stakes. The client might reveal they are about to print 100,000 pieces of packaging and cannot afford to get it wrong. They want to feel proud of their brand. By exploring both the positive opportunities and the negative consequences, you position yourself as the expert who can navigate that complex terrain. This is the art of asking better questions to uncover deep insights.
A Framework for Deeper Conversations
Adopting a consultative role requires a structured approach to questioning. Do recommends a framework from consultant Jonathan Stark known as the Three Why Questions. This simple sequence can transform a sales call into a strategy session.
But before deploying the questions, your delivery matters. Do invokes Chris Voss, author of Never Split the Difference, and his concept of the “late-night FM DJ voice.” Your tone must be curious and calm, not aggressive or accusatory. It should be a slow, deep, and methodical inquiry.
Here is the framework:
- 1. Why this? Start by asking, “Why is it you want to do this, and why not do something else?” This forces the client to justify their chosen path and consider alternatives. Often, it reinforces the need for the project. Occasionally, it opens up a new dialogue where you can contribute other, perhaps better, options. This is your first step toward becoming a strategic advisor.
- 2. Why now? The next question is about urgency. Do suggests framing it like this, drawing on a principle from Blair Enns's The Win Without Pitching Manifesto about retreating to see if the client follows. Ask, “Why now? Why not do nothing and wait six months? If we can save you money, why proceed?” This counterintuitive move prompts the client to sell you on the urgency. They will list all the reasons the project cannot wait: a product launch, a new marketing hire, a competitive threat. As Do notes, “You no longer have to convince them they need to move forward. Now they convince themselves.”
- 3. Why me? This is the hardest, yet most crucial, question. Ask with genuine curiosity, “Of all the possible options, why did you choose to speak with me today?” This question accomplishes two things. First, it gives you direct insight into what the client values about your work. They might mention a specific project, a blog post, or a referral. Second, it forces the client to articulate, for their own benefit, why you are the right choice. They are literally selling themselves on hiring you.
When you master this sequence, you completely reframe the sales dynamic. You move from a defensive position of having to prove your worth to an offensive one where the client is justifying the engagement to you. It is a subtle but powerful shift from vendor to expert.
Designing the Full Experience: From First Contact to Raving Fan
Your job does not end when you deliver the asset. To truly stand out, you must think about and design the optimal customer journey, from the first point of contact to long after the project is complete.
Do admits this was a lesson he learned the hard way. “I thought when clients hired us, we were paid to do the best design work that we could do, and that was the beginning and the end of the relationship,” he confesses. He later realized delivering the work is just what you are paid for. Exceptional service lies in what you do beyond that.
Anticipate the next steps. If you design a website, what happens after launch? The client will need updates, maintenance, and support. A true professional anticipates this and builds it into their offering, perhaps a small retainer for ongoing work. This not only creates an additional revenue stream but signals to the client that this is not your first rodeo.
Think beyond the immediate deliverable to the entire customer experience. Do points to companies like Zappos, which built a loyal following by surprising customers with upgraded, expedited shipping. Or Johnny Cupcakes, a T-shirt brand famous for including gag gifts and even cash in their packages. These small moments of surprise and delight create loyal fans who become your best salespeople.
To structure this thinking, Do introduces the AIDCA framework, a model for mapping the customer journey:
- Awareness: How do clients find you? You must be where they are, whether that is LinkedIn, industry journals, or specific social platforms. Create content that speaks to their problems.
- Interest: Once aware, how do you capture their interest? Offer a valuable lead magnet, like a guide or checklist, in exchange for their permission to contact them further. This is a foundational step in generating high-quality leads.
- Desire: As you provide more value upfront, you build trust and create desire. They see you as an expert and an authority. When a need arises, you are the first person they think to call.
- Conversion: This is the sale itself, where you use the consultative approach to diagnose their problem and offer a high-value solution.
- Advocacy: This is the most overlooked stage. After the sale, what are you doing to delight your client so thoroughly that they become an advocate for your brand? They become an unpaid salesperson, spreading the word to their network.
True customer service is a long-term system. Do shares a personal story about his real estate broker, who, 14 years after helping Do buy his home, left a voicemail simply to mark the anniversary. This simple, systematic act of maintaining a connection ensured that when it came time to sell the house, there was no question who he would call.
“This person has kept a relationship with me for years,” Do says. “What are you doing to build this kind of bond with your current and existing clients?”
The Unseen Architecture of Professionalism
Professionals are not just making it up as they go along. They have clear processes and systems that produce consistent, high-quality outcomes. This visible structure gives clients immense confidence.
When you have seen the same problem over and over, you develop patterns. You anticipate needs. A seasoned designer knows exactly what information they need to start a project and what deliverables the client will require for a successful outcome. This transparency reduces perceived risk for the client.
A clear process demonstrates that you are a professional who has done this many times before. One counterintuitive insight Do offers is that clients do not actually want you to spend more time on a project. They want the desired outcome, and they want it as fast as possible. Efficiency is a feature, not a bug.
“They will actually pay more to get something done in less time,” Do states. “High-quality work plus speed and efficiency in delivery… allows me to concentrate on my next set of problems.”
This is why developing systems is critical. Do points to the workflow of designer Aaron James Draplin, who famously has libraries of mockups and assets built directly into his Adobe Illustrator palettes. When he needs to show a logo on a cap or a t-shirt, it is there instantly. He is not wasting creative energy searching for files; he is focused on the work itself.
To build this architecture of professionalism, Do offers two powerful and simple tips:
- Send a Summary Email. After every significant client conversation, send a follow-up email summarizing the key points discussed. This seems incredibly basic, yet almost no one does it. It shows you were listening, that you value their time, and it creates a shared record of what was agreed upon. End the email with the line, “Did I miss anything?” to invite collaboration.
- Create a Capabilities Deck. When a prospect asks you to “send something over” for their team to review, do not send a Dropbox link of loose files. Send a professionally designed capabilities deck. This document should feature curated, relevant work, team bios, an outline of your process, client testimonials, and a logo quilt of past clients. It is a standalone piece of marketing collateral that screams professionalism.
These systems do not stifle creativity. They create the foundation upon which true creative work can flourish, freeing you from administrative drag and signaling to the world that you are a serious business.
The Specialist's Premium: Go Deep, Not Broad
The final pillar of standing out is specialization. Many creatives go broad, believing they can serve any client in any industry. In doing so, they develop expertise in none.
Imagine two designers pitching a men’s grooming brand. The first is a generalist who has worked with bakeries, tech companies, and consumer goods. They have a nice portfolio, but nothing directly relevant. They will struggle to speak the client’s language.
The second designer works only in men’s health and wellness. They have worked with competitors, suppliers, and adjacent brands in the same vertical. When they walk into the room, they are not a stranger. They understand the industry landscape, the consumer psychology, and the unique business challenges. They have instant rapport and credibility. This is the power of a well-defined niche market.
“When you have the complete context of the client's business… you can provide much more informed, meaningful solutions,” Do explains. The choice for the prospect is obvious. They will always choose the specialist.
Being a specialist allows you to charge a premium because you bring more than just design skills. You bring industry knowledge, a fresh perspective on their specific challenges, and an informed point of view. You become an invaluable outside consultant.
To deepen this advantage, learn the mechanics of how your clients’ businesses operate. Do shares two insider tips. First, find out if they have a discretionary budget. Many managers can approve expenses under a certain threshold without further sign-off. If you can price your initial engagement just under that number, you make it incredibly easy for them to say yes. Second, if a proposal is too large, offer a phased engagement. Break one big number into multiple smaller payments across a quarterly budget cycle. You still get paid in full, but you make the decision more palatable for the client.
These are not tricks. They are demonstrations of business acumen. They show you understand your client’s world not just as a creative, but as a business partner invested in their success.
Stop trying to be for everyone. Go deep. Become the undeniable expert in a single vertical. Do the research. Understand their customers, their competitors, and their unique selling proposition. Celebrate what makes them different.
That is how you cut through the noise. And that is how you stand out.
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“There is no such thing as the right answer to the wrong question.”
— Chris Do
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