From $13 to $100K Brand Deals on Instagram w/ @adrianper
Chris Do and filmmaker Adrian Per break down the journey from having $13 to landing six-figure brand deals on Instagram.
Chris Do
Founder, The Futur™ · November 6, 2024
The Emptiness of Accolades
At 32 years old, filmmaker Adrian Per had accolades. His work had been part of Grammy-nominated and award-winning projects. By traditional measures of creative success, he had arrived. But accolades do not pay the bills.
In October of 2022, he looked at his bank account and saw a balance of $13. Thirteen dollars.
“Even with having the accolades under my belt... I still don't know as a creative, you don't know what your future holds,” Per tells Chris Do. The gap between external validation and financial reality had become an abyss. After applying for over 60 creative and non-creative jobs, he received zero interviews. He was either overqualified or underqualified. The industry he had given his life to had no place for him.
This was the bottom. It was also the beginning.
That $13 crisis forced a pivot that would not only rescue his career but completely redefine it, transforming him from a struggling director-for-hire into a sought-after content creator landing six-figure brand deals. His journey reveals a modern playbook for creative survival, proving that stability is not found in chasing trophies, but in building a resilient, personal brand fueled by the very struggles that almost broke him.
The Quintessential Asian Disappointment
The creative spark ignited early. Per remembers being ten years old, stuck in traffic on the Bay Bridge with his family, listening to Dr. Dre’s seminal album 2001. While most kids would just hear the music, he was deconstructing it. “I remember just like not knowing what a kick drum was, not knowing what a snare drum was and like just picking out, oh this is a pattern,” he recalls. He would stare out the window, imagining music videos, scoring the world passing by.
This innate creative drive, however, ran directly counter to the path laid out for him. As the son of Filipino immigrants, the expectation was security, not self-expression. His parents had left their home country, giving up everything for the promise of a better life for their children. That promise was meant to be fulfilled through stable, high-earning professions.
“They came here with this dream of I want him to become the family's jewel, he will make us money, all of these sacrifices will pay off,” Per explains. “And you can't get there by not being in the medical field.”
His artistic pursuits were seen as distractions. He was told to stop making beats on his desk and focus on fractions. When he became a high school dropout and later dropped out of a dental program to pursue filmmaking, he embodied his family’s greatest fears. He became, in his own words, “the quintessential Asian disappointment.”
The tension at home was immense. For a time, his father stopped speaking to him. “My dad didn't understand it and I don't blame him for that,” Per reflects. It took years of maturation for him to see the situation from his father’s perspective. An immigrant who worked punishing hours to provide for his family could not comprehend a career path that seemed to have no blueprint for success.
As Chris Do notes, immigrant parents often operate on an outdated system, shaped by their own experiences of scarcity and struggle. “We have to remove the standard of perfection as the bar in which they're all measured against,” Do advises. The disappointment they express is often a poorly articulated fear for their child’s well-being.
Fortunately, Per’s story has a chapter of reconciliation. As his career gained tangible traction, his father began to see the results. He saw his son’s work on TV and online. He saw the fruits of a strange, incomprehensible labor. “One day it just started to shift,” Per says. “I'm like so happy that he got to be proud and like to see the fruits of his labor before he went.”
This narrative of overcoming family friction and embracing his identity is now a cornerstone of his work, a powerful source of connection for an audience full of creatives navigating similar pressures. His story is a lesson in how to build a successful personal brand not by hiding your past, but by owning it.
The LA Gamble and the Mirage of Success
Determined to forge his own path, Per moved to Los Angeles, the epicenter of the entertainment industry. He gave himself a three-year deadline. “I said I need to make it work, because in three years I will be 30,” he recalls. “Making it” was defined by a simple desire to be comfortable and happy doing what he loved.
The beginning was a grueling grind. He lived with his parents until he was 27. His first year as a freelance creative, he made a total of $1,000. He drove for Uber and delivered food in his Prius to survive. Progress was slow, but it was there. The next year, he made around $39,000.
Then, things started to click. He and a business partner grew their production company, landing music videos and commercial work for major artists and brands. The money started flowing in, amounts he had never seen before. And he had no idea how to manage it.
“If I made 150 Grand, I thought I had 150 Grand to spend,” he admits. He fell into a classic trap, one many new entrepreneurs encounter. He didn't understand taxes, expenses, or cash flow. He saw the top-line number and assumed it was all his. This financial illiteracy led him down a path of consumption, driven by a need for external validation.
The spending was reckless and spectacular.
- He bought an iced-out chain with his initials.
- He bought not one, but two Rolexes.
- He would wake up and impulsively buy a car. If he didn't like it, he’d sell it at a loss and buy another.
“I was looking for validation in the wrong places,” he says. The watches, the cars, the chains were props. They were an attempt to look the part of a successful director, to project an image of success that he hadn't fully internalized. He was building a facade, and the foundation was dangerously weak. He was learning a hard lesson, similar to the one discussed in how to go from freelancer to a seven-figure agency: top-line revenue is not profit.
Hitting Rock Bottom: $13 and Three Cars
The house of cards collapsed with brutal speed. A series of family emergencies, including funerals, required him to liquidate his savings. “Funerals are expensive,” Per states bluntly. Then, the tax bill he had ignored came due. The money he thought he had was already spoken for by the government and by life itself.
The culmination was that moment in October 2022. He was 32, a director with an impressive portfolio, and the owner of multiple luxury cars and watches. And he had $13 in liquid cash.
The absurdity was crushing. “This is so dumb,” he thought, looking at his possessions. “Why do I have this here sitting in front of me... and I have $13 in liquid? That's crazy.”
It was a moment of profound, painful clarity. The symbols of success were worthless when he couldn’t cover basic needs. The accolades meant nothing. The extensive commercial career felt like a distant memory. This was not a slump; it was a systemic failure of his entire professional and financial model.
It was this rock-bottom moment that became his launchpad. With his back against the wall, encouraged by his manager and girlfriend, he finally decided to try the one thing he’d been watching with a mix of disbelief and envy: creating personal content for social media.
“A lot of people were saying you should give it a shot,” he says. “You have nothing, you literally have nothing much left to lose.”
The Creator Economy Revelation
For years, Per had operated within the traditional production hierarchy. A brand or artist would have a budget, say $100,000 for a music video. The production company would use that budget to pay for crew, locations, gear, and insurance. At the very end of a long and stressful process, the director might walk away with 10%, or $10,000, and often even less after reinvesting in the project to make it better.
While running this business, he started noticing a new phenomenon. He saw content creators on Instagram and TikTok getting paid staggering amounts for what seemed, on the surface, like simple work.
“It's crazy to think that what a brand will spend on a more Legacy style commercial, some content creators getting paid the same amount just to make vertical selfie videos,” Per says. “I was like, that can't be real. And then I saw it. I was like, oh my God, it's real.”
The realization was a paradigm shift. Brands were paying creators for two things at once: production and distribution. By hiring an influencer with a large, engaged following, they were buying not just a video, but direct access to a trusting audience. It was a highly efficient use of their ad dollars, bypassing traditional media buys entirely. As Chris Do points out, creators like Per are actually a bargain for brands.
This discovery, combined with his financial desperation, was the catalyst. He knew he had the filmmaking skills. He just had to apply them in a new format, for a new audience, under a new business model. His career was about to be reborn online.
The Playbook for High-Value Content and Six-Figure Deals
Per's transition into a top-tier content creator was not accidental. It was built on a dual strategy: mastering the soft skills to land deals and developing a hyper-efficient system to produce high-quality content at scale.
How to Get the Deals: Serve, Don't Sell
Landing clients in the high-stakes world of brand partnerships is not about aggressive sales tactics. For Per, it’s about a finely tuned set of social and professional skills. “The thing that will separate us from everybody is our soft skills,” he insists.
His approach is rooted in genuine connection and an ego-free desire to serve.
- Read the Room: He never barges in with a pitch. He assesses the vibe and waits for an appropriate moment to connect.
- Lead with Appreciation: His opener is simple and authentic. “Yo, I'm a fan of your work and what you're doing. This is what I do.”
- Offer Non-Invasive Value: Instead of criticizing, he suggests collaborative ideas. “In this music video I saw he did this, but how about like next time let's try this idea? Let me know what you think about it.” It’s an invitation, not a demand.
- Remove Your Ego: This is the most crucial part. Per understood that when working for a brand, the project is not about his personal artistic expression. It's about achieving the client’s objectives. You are there to serve the brand, not your ego.
“When I started letting people know that I was about the project more than I was about myself... I wasn't in this to just get my creative off,” he says. This service-oriented mindset is felt by clients and is the foundation of trust, a topic often explored in discussions around how to get your first customers.
How to Make the Content: The Paper Edit
Per’s prolific output of high-production-value videos seems impossibly time-consuming, especially since he often shoots by himself. The secret is not superhuman energy; it’s an ironclad pre-production process he calls the “paper edit.”
He explains, “My edit is done before I go out and shoot anything.”
This pre-production system is his entire engine. It transforms a chaotic creative process into a streamlined assembly line.
Here’s how it works:
- Ideation and Music: An idea often starts with a feeling invoked by a song. He finds a track that sets the mood and rhythm for the piece.
- Scripting to the Beat: He writes his script, often a monologue or voiceover, with the cadence of the music in mind, almost like a rapper writing lyrics to a beat.
- The Shot List: This is the core of the paper edit. He breaks down every single line of the script and assigns a specific shot to it. For example: “This is for every creative who comes up with a million great ideas...” might be assigned a wide profile shot, while the next phrase, “...but fails to do any of them,” is assigned a tight shot looking directly at the camera.
- Execution: By the time he goes out to shoot, there is no guesswork. He is simply executing a pre-approved plan. He sets up the camera, gets the shot, and moves to the next.
- Post-Production: Editing becomes a simple drag-and-drop process. He already knows which clip goes with which part of the song and script. It’s plug-and-play.
This method explains his volume and consistency. It’s a director’s discipline applied to the fast-paced world of social media content. While he admits the solo process is messy and often involves forgetting lines, the structured plan ensures the final product is cohesive and polished. This focus on system over spontaneity is a key tactic for creators who want to stop chasing virality and build a sustainable body of work.
The New Creative Economy
Today, Adrian Per’s career is a balanced portfolio. 80% is his personal work, the passion projects he funds himself. The other 20% is split between traditional production work and the lucrative brand partnerships his personal content attracts. The brand deals now fund the art.
The journey from $13 to six-figure deals was not a miracle. It was a forced evolution. It was about surviving failure and turning that failure into a new system. He shed the need for external validation symbolized by Rolexes and embraced the internal validation of a process that works.
He learned that in the modern creative landscape, your most valuable asset isn't your portfolio of past work. It's your ability to connect with an audience, to serve a client's needs without losing your voice, and to build a system that allows you to show up consistently.
His story is a testament to the fact that your lowest point can become your strongest foundation. The skills needed for survival are the very skills that will help you thrive.
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“My edit is done before I go out and shoot anything.”
— Chris Do
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